Showing posts with label drum rhythm notations. Show all posts
Showing posts with label drum rhythm notations. Show all posts

Tuesday, September 5, 2017

Drum Circles Facilitation Info - Drumming With Groups

Information on facilitated drum circles for all ages, groups, and venues. Parties, events, and churches, to seniors, special needs groups, kids, schools, and the general public. If hand drums and percussion instruments are provided, all you need is a heartbeat, and some chairs. If you can text, you can learn to play drum circle rhythms. (Even if you're one of those people that think they don't have rhythm.)

I teach beginner to intermediate djembe or doumbek lessons by the hour for $40. (Reasonable rates!) A few pointers on hand technique, we start out a few rhythms and away we go. Use your drum, or I provide a few. It can be just a drumming lesson, a jam session, or both. (Adding an additional person is $10 more.) If you want drum circle facilitation lessons, I offer that as well. I can combine the two if you like.

Visit the other styles of drum circles for various groups by checking out my home page at drumcircles.net. It has ideas and suggestions for drum circles with kids, adults, seniors, special needs, spiritual, healing, team building, clubs, pubs, and more.



Below are printable some lists of various drum circle rhythms I enjoy playing, and various ways to read - teach drum music, get rhythms started and lots more. It's my interpretation of them, and it's free. Read and/or print them out if you want to. There's a few different ways I like to notate, and/or and vocalize the start of a drum circle rhythm. I enjoy helping people to have more fun drumming. The list might make a good guideline, set list, or just some fun stuff for you and your friends to use. Check both of them out. About 4 and 7 pages each, Microsoft Word document.

Printable - Various Ways to Read, Notate, and Teach Drum Music (Printable Word.doc)


Printable - Longer List Of Notated Drum Circle Rhythms and Set List (Printable Word.doc)


The intent of my page is to offer facilitated drum circles, but also to share ideas and suggestions for others. Briefly put, drum circle facilitation by me is taking a group of people who (mostly) have never touched a drum before in their lives, and I make a band out of them. They all discover they can indeed make music, and in the process even overcome inner social fears. We make up spontaneous rhythms, as well as play various culturally specific rhythms from around the world, all done by using only musical cues. It is very organic, and every drum circle is different depending on the group’s dynamic. I hope my page helps you to enjoy drumming more.

I facilitate drum circles, but I'm also available to work as a percussionist for band gigs, as a performer with singer songwriters, or as a solo percussionist for just about anything. From belly dancers, fire spinners, weddings, spiritual gatherings, yoga, spoken word, and teaching, or just about anything where you need a drummer. I'm open to last minute fill ins, and requests, as I can rely on classical training and experience to pick up music, and rhythms by ear

When Inquiring About Having A Facilitated Drum Circle, please provide some of the particulars, and what you have in mind: such as the amount of time, type of organization, location, approx. amount of people, and any specific requirements. There’s an average pricing list and rates I’ve compiled over the years from around the country at my website also so you don’t get overcharged.

I don't really get into selling drums, nor do I endorse any drum manufactures, companies, or have sponsored ads. If you're looking to buy a drum, it's important to find the one that's right for you. I am always happy to offer an opinion, or suggest a few places I've bought some of mine from. If you are new to drumming, choosing a 1st drum can be a bit confusing.

At my blog, Drum Circle Blog at blogspot.com I go into this in more detail. Please look for the post, "Choosing That First Drum To Buy". If you are looking to start a drum circle. or get into drum circle facilitating, check out my post on a few ways to get free drum circle facilitation training. Even if you have never touched a drum before, and want to start a drum circle up just for fun, it should help get you started. The way things are these days, not everyone can afford to get training, or leave the area they live in. Running a drum circle is something you can learn to do. I hope my posts help you along with your drumming journey, and I'm here if you ever need to ask a question.

Can you drum even if you have never played one before, and think you have no rhythm at all? The answer is Yes. In a matter of a few minutes, you can be playing drum rhythms, & making some beautiful music with your hands. The nice thing about drumming, is you can begin at any age and still have fun with it. And best of all, you only have to buy a drum once, and it will last you forever if you take care of it. All most people need is one lesson, and they are off and drumming. You can enjoy drumming alone or with friends. Playing a drum feels good if you are happy or down.

I have had people tell me that they are under the impression that drum circle facilitators have to be certified. Okay, doctors, dentists, lawyers, yes. I wouldn't want to use one that hadn't gone through the process of accreditation and/or licensing. But, facilitators don't have any kind of official governing body. Anyone can decide to teach, hold workshops, etc. and then give out a certificate. But, all it means is that the person spent some money on training in one style of facilitation. Like in any other field, some are better than others. Is certification necessary to facilitate drum circles? Are there specific protocols that need to be followed? Is there a universally accepted accreditation process?

Some would like to think so, but no. Do some of them help, are some of them good? Yes. You can learn a few things, but most of them are expensive, and go on for weeks. Their logo looks good on your resume, and sure it adds some credibility to you. Most of them cost a lot also. Do you need certification by someone to work and earn a living? No. Individuals and companies both offer their own brand of facilitation. One isn't necessarily better than another, some are promoted more, and widely known than others. Practically speaking even if you are a newcomer you can buy a few books on the subject, watch a few videos, and get out there and host a drum circle just fine. I think you can learn the most just by doing, and going to some drum circles. Go out and watch, then participate, have some fun, and observe what the other facilitators do, and how they do it.


My 2 Hour 101 Drum Circle Rhythms DVD

An effective way to keep a drumming program, or drum circle interesting, is to have a wide variety of rhythms to draw from. My 2 hour DVD of 120 hand drum rhythms makes ideal reference material. At my website it's $10 and includes a free drum circle jam CD. It’s a few bucks more on Amazon or Ebay.

The 120 rhythms are also on 2 audio CD's for $10. The link is below for both of them. They are also available in mp3 format at most online retailers such as CDbaby for $10, as well as iTunes, Amazon, Spotify, and most others. 

2 Hour DVD 101 Drum Circle Rhythms Link


More on facilitating drum circles, or having a drumming program.

Natural rhythm flows within us all. Our hearts beat to a rhythm, we walk to a rhythm, many aspects of our daily lives are done to a rhythm. You even make love to a rhythm, (hopefully). Whenever we hear drumming, we begin to move to the universal rhythm inside us all. The drum can connect your heart to your hands, and all of a sudden you are improvising, and talking with a drum. We become the instrument, the drum becomes our voice. With drum circles we connect beyond the music being played. The nice thing about drumming is that anyone, no matter how old they are, can sit right down and have fun jamming on a drum with other people.

To briefly describe drum circle facilitation by me, it's putting a bunch of people together and making music. It's fun to play like a kid again for a day. Friends, strangers, co-workers, beginners, or even with pros...

I like to begin a drumming session by letting everyone just choose something, sit down in the circle, and start playing. This approach helps everyone to relax before the formal welcome, introductions, and then into organized rhythms. The reason I encourage everyone to play first is the nerves, and the barriers just begin to melt away. Later as the rhythms join together, everyone joins together. We join together musically. The result is there is no distinction between you or me. We just all sense the feeling of the one song we are creating in the moment. This was the tried and true approach of the elders who would begin their gatherings, and ceremonies in this fashion. They've been drumming that way for over 5000 years, so you kind of have to figure it's cool, right?

I think ideally, a fun drum circle is a bunch of drums, and then a good jam session. The emphasis with me is on having a good time. I believe in not telling people how, when, or what to play, ever. I like to focus more on self discovery. I provide the tools for you to figure out the task. Here's some of them for you to do it with:

The thing some don't get about drum circles, is that it's more about the people, than it is the drumming. Many facilitators agree with me on this, some don't. The quality of the music produced in a drum circle isn't really based on the musical experience of the players, but on the developing quality of the relationships of the people that emerge. As a facilitator I help people to empower themselves through drumming, music, and fun. They need no experience at all to play in a drum circle. I encourage individual creativity, and group dynamics. I do 90% of my facilitating through the music. It's an art form that takes years to develop.


My E-book, "A Practical Guide To Hand Drumming And Drum Circles" - $8 on Kindle or Nook

If your desire is to get much more in depth with this, please consider picking up my book. It goes into starting a drum circle, or drumming program, and how to keep it fresh and interesting for all different kinds of groups. I cover all of that, and much more in great detail. The page link for it is below. It's in the Kindle book share program so you can share it with some friends.

A Practical Guide To Hand Drumming And Drum Circles Book Link


Small Business, Team Building Or Company Drum Circles?

It's becoming a more and more common idea. Host a drum circle for your business, company, or group of friends.

Drum circles are an excellent activity for any group, and for all ages. But especially as a tool for team building. Letting people express themselves through drumming and then seeing how that can build to a musical performance is at the heart of team effort. Learning to let go of self involvement in order to synchronize with others is the essence.

Not everyone can or will play the drums the same way, just as they don't do their jobs exactly the same way. And those slight differences, if done from each person's strengths, are what make the musical result magical. People learn that playing/working together is something that is its own reward because the results are beyond what any individual can do.

Drum circles can be extremely effective for companies that want to enhance the generation of new ideas and better team work. When people discover that they can collectively produce a good sound without any musical training or background, they start to realize that they can be more effective at work by putting their heads together and working as a team.

Also, drumming uses the brain in a different pattern than the linear thought process that is usually needed in the work environment. For example, when suggesting a drum circle rhythm, I like to vocalize the first few measures before we play it. The logical analytical side of the brain can process it quicker, which then frees up the creative intuitive side. People can then play what they feel, rather than over thinking it.

ie: The Heartbeat drum rhythm: Boom Boom chicka-chicka Boom Boom (pause, & repeat)

A drum circle brings the group to a more open mental and psychological process, which can be carried over to the production of new and better ways of working. An excellent tool to kick off any kind of brainstorming session and optimize the quantity and quality of new ideas. In other words, your team improvises and is more creative.

Click the link below for more detailed information on having a corporate, company, or a small business drum circle. Please keep in mind that an assistant needs to be hired for larger groups, and that costs more.

Corporate Company & Small Business Drum Circles Link



A drum circle is a rhythm based experience where a variety of world percussion hand drums from different cultures are brought together. Ethnic drumming rhythms from many different parts of the world are explored. That's part of the beauty of it. The Rhythms change, evolve and morph in a magical unpredictable way. The result is spontaneous, beautiful music created by everyone involved. It's a musical event that everyone can participate in. It's a place for everyone to express themselves with drums, and other percussion instruments. The level of experience doesn’t matter. A person can participate fully, and freely, with no skill or technique at all.


Drumming Outdoors...

Whenever it's possible, I like to host drum circles outdoors connected with nature. Nature has a natural rhythm to it, and so do we. Hand drumming brings us back to that fundamental rhythm of nature. I can help you, or your group to host a drum circle anywhere - indoors or outside.



More About Drumming And Drum Circles...

The phrase "drum circle" is a rather broad term. It can mean a variety of things to different people. Interestingly, drum circles are never the same, even with the same group. It is always fresh, enlightening, and it's an exciting event for entire families. Here is an activity where parents and their children can do something fun together. Teens can be doing something cool - yet positive. People with disabilities can just be one of the guys at the drum circle. The feelings of fun and euphoria are hard to describe when the group dynamic is created. It only takes about ten or fifteen minutes to start happening. Drum circles are fun! They combine recreation, with therapeutic music. I feel what works the best, is to bridge the gap between the facilitated drum circles, and the more open freestyle community drum circles. I bring you the best of both worlds. This allows individuals to experience self discovery and musicality at their own pace. Then the whole experience is much more meaningful to them, and even more effective.

Very little is planned in advance except maybe a list of rhythms to suggest. All the rest is improvised on the spot. Most of the "facilitating" can be done through the music. I believe that is the best way to do it. The musical communication, supporting of the beat, and ending points to a jam, are usually done with the drumming. Sometimes even transition points in the drumming just naturally occur. The recognizing, and supporting the group's expression is a key element, because, since drum circles are so organic in nature, that to an onlooker, there are times that look like absolute chaos is going on...but it's an organized chaos. It levels out into a group song, and it uniquely theirs. They created it. Usually there is a transition point, or a time to just move on to a new rhythm. It takes time to trust in the natural process of creating a group vibe. A lot of people WANT there to be lots of rules, true in business world, true in art world, so it's not surprising to find it here in the drumming world.

 Let the rhythm move you.

So to try and sum up the difference: In my opinion, a freestyle or lightly facilitated drum circle is more open, improvised, and more spontaneous. Interactive drumming is more planned, structured, and directed - a little heavier in the facilitation department. It's mainly facilitated with everyone focused on following the leader's instructions. I think as soon as you start to present rhythm games or activities, it's no longer a drum circle but, an interactive drumming thing. And that's ok and all. But people are now following instructions, and doing a more structured activity other than improv. I think a little of both of these styles makes it the most enjoyable drum circle experience overall.
One way to get established is to be visible in your community. Get a weekly circle started at a cafe, night club, new age shop, comedy clubs, museums, yoga groups, and recreation art centers. At city parks, even at the beach. Try to get any venue you can think of.

A weekly circle is better than monthly, because people tend to forget what week it is being held. You may only make $100 a circle, a commission, tips, or even need to do it for free, but it will give you a home base, plus you will be doing something positive for your community. It may take 4 or 5 circles to get things rolling, but once you do, medical professionals, event planners, and even the media will eventually find you. That leads to higher paying gigs. You might even get jobs working for your city, or county at festivals, etc. Also, visit your local chamber of commerce, and/or arts center to see if they can be of any help.

Another way many facilitators earn a decent living is to approach your city, county, state arts council. Depending on the city you live in, they can possibly hook you up with city events, festivals, art shows, and even get work in the school system. If another drum circle facilitator gets to your arts council before you, that can be a problem.

Some end up getting non profit corporations going. They get donations from local businesses, and make a nice living that way. Some medical, special needs facilities, and schools can apply for grants to help you to fund your work, but you may have to work for free for awhile in order to prove yourself first. Try things like your chamber of commerce, arts centers, and etc. Try to put together a professional looking press pack, and be creative in thought. Follow up in a couple weeks. Many gigs take 2 or 3 tries. Not everyone knows what a drum circle is, or can do to help people.



And The Beat Goes On...Boom ShaKa La Ka

The techniques and skills needed to host a drum circle for a particular group can be taught, if you want them. And that is one of the key things I like to do when I'm hired to host a drum circle for you. I can show you and the staff how to continue the process on your own when you feel you are ready to take over. It's not necessary to have any musical training in order to learn the essential basics, although those who have a musical background do have an edge. I do this at no cost beyond what I am being paid to facilitate a drum circle. Drum circles need to be customized sometimes, to fit the particular needs of the people, or group it's being held for.

I've worked with everything from highly professional musicians, to adults and children with mental or physical restrictions. And, each individual group needs a slightly different approach, since everyone has their own skills, limitations, and quirks. It can take anywhere from just a single drum circle to as many as four to work out the ideal approach for a specific group. However, I never require any kind of contract beyond a single day at a time.

In addition to demonstrating how to host a drum circle by my doing it, I am happy to spend some time with the staff to answer questions and help them to work out their own way of facilitating for their own group as soon as possible. I provide drum rhythms CD's - DVDs and drumming rhythms notations as reference material, free of charge. I'm also happy to share with you the various places I buy my drums from. Different types of drums work for different types of people.

It doesn't matter whether or not the music itself sounds good, although it usually does. What matters is letting the participants know they can just be themselves and find their own inner rhythms. By letting people discover themselves, and knowing they have the freedom to make mistakes, takes them on a journey where I only act as a sort of a tour guide, and they find that feeling of safety from being in a community made up of the other drummers. I help to provide that by being constantly tuned in to the group and the individuals, so they can have a good time. Helping someone who says, " I have no rhythm " to find their own inner sense of rhythm takes very little guidance and can be done spontaneously right in the middle of an ongoing beat. You can see the light turn on in their face.

A fun idea is to get some hula hoops, and add hula hooping or dance to your drum circle for something to connect to.

Drum circles are great for seniors, and spiritual gatherings. Try laying down with your eyes closed for a minute in the center of the circle, and feel the energy. The beauty of drum circles is that they bring people from all paths together. I love to celebrate my spirituality by being around the positive energy of them.

Hand drumming is fun, rewarding, and can be therapeutic for everyone. From kids to elders. I am also available for private hand drumming lessons in person, in the Saint Louis area. It's even a great way to add music education for those who home school. From beginner to intermediate. All ages. $40 for an hour, no minimum, and personalized lessons. I provide the drums, (or use yours) and will travel to you, or can come over to my studio. Please email me for more info.


The Earth Day Drum Circle at Honeymoon Island

This drum circle event was a blend of local musicians, the general community, and a special needs group. A key part of the intent of groups that are oriented toward those with physical and/or mental restrictions is finding ways to bring them into general society as much as possible. It has been my experience that drum circles are an excellent path to this goal. The guiding of a special needs group in our community led to exactly that, a two hour performance on a big stage in front of 100's of people, where they were wildly applauded, appreciated, and sounded great. It was a proud moment for them, and for me. I believe that real personal growth comes from the inner expression of each individual, and their self discovery. The photos speak for themselves.

I believe in seeing abilities in people, not disabilities. Click below for more photos, and a video set to drum circle audio.

Earth Day Drum Circle Link


A drum circle is hardly ever a professional ensemble playing prepared music, or a drumming class. It’s a unique event that is created by just a hodge podge of real people, preferably with the help of a host, or facilitator, who acts as a musical guide to make it easier for the group to achieve it’s goal. I don't want you to be a drummer. I just want you to be able to enjoy drumming.

For me, this is about taking the gift of music that God gave me and sharing it with other people. One of the beautiful things about drum circles and drumming together, is that it can bring people from all different paths together, and even learn to respect each others faith. I love to celebrate my spirituality by being around the positive energy of drum circles. Drumming brings a certain beauty into the world. And I believe I was put on this earth to share that gift. A life is not measured by what we have, but what we give.



A little history on hand drumming. It dates back 1000's of years.

Community drumming has been an ancient musical tradition for 1000’s of years in almost every part of the world. Drum playing is probably as old as intelligent man. Cavemen probably jammed on wooden logs. The idea of banging on something to make noise is second nature to us. As for me, my parents got me my first drum so I would stop making drums out of things in the kitchen.

As far as I could tell, the oldest recorded drum discovery is from 6000 BC excavated from a Neolithic Era archeological dig. Small drums used for ceremonies have been found in Egyptian tombs. See that? King Tut was probably jamming out. Many caves in Peru contain wall carvings depicting drums in various aspects of societal life. Indian drums from the Middle East are as old as 5000 BC, and Mesopotamian ruins have yielded cylindrical drums as old as 3000 BC. Native American Indians have a rich history with drums made of gourds, and wood for celebrations, ceremonies, and music. Many of the same styles of these drums are still used to this day.

Drums and percussion were the first musical tools people made for use in group music. Drumming was used for a variety of purposes, including communication. In Africa for example, drumming was not just a form of music, it was used as a speech. A rhythmic pattern of beats played a certain way could communicate a variety of information. Drums were used for things such as a language to communicate, for fertility, new birth, healing, grieving, emotional release, various types of ceremonies, and building communities.


What's My Role As A Drum Circle Host Or Facilitator?

I facilitate the drum circle, and provide all the necessary drums and other smaller instruments for you. All we need is some chairs, and shade. My fee is for the cost of the equipment, wear and tear, and the hauling of all the drums. The playing part I pretty much do for free. Because I love doing this. It's that simple. I was hoping I had you sold on the idea by now, but here it is again in a little bit more detail. Some people think the drums just magically appear, and they can play them.

Trust me, they don't, and they are expensive. I provide the drums for you, and I create a welcoming, enjoyable atmosphere that helps everyone to make music together. Or simply put, to help make it easy for everyone to enjoy creating a group musical song.

I’m there to help guide and make it easier to participate, not to manipulate. I’m trained to help everyone feel comfortable in the group setting, and act as a rhythm starter when needed. Then everyone begins to experience their own creativity, fun, and excitement as they begin to improvise on the support rhythm. After a brief warm up, and demonstration of some basic hand technique, a variety of easy to play along rhythms from various cultures are explored, including our own.

The chairs are arranged in concentric circles, with an arrangement of professional level drums for people to choose from. I believe everyone should experience the real thing in a musical instrument. Especially someone new to drumming. There are huge differences in sound. You can't experience the full range of sound, tones, and enjoyment on a poorly made drum. Cheap drums, give you cheap sounds. I want people to sound as good as they possibly can.


Understanding Notated Drum Circle Rhythms and Suggesting A Drum Beat To Start Drummers

There's a variety of different ways I like to use to notate a drum rhythm. It's really a matter of personal preference, and what ever you find the easiest for you to use. Here's some various ways I've seen to notate a drum rhythm. Using one of these methods, you can quickly and clearly transcribe a drum rhythm to save it for another day.

The accented strokes, (or slaps) are all in caps. Most rhythms at drum circles are in 4/4 time, or 6/8 time.

Here's an example with the basic "Fanga" drum rhythm in 4/4 time notated a few different ways:

Gun go-do-go Gun-Dun go-Do (Also, pa & ta are used in some rhythms.)
(As far as I know, a style taught by Babatunde Olatunji. Probably the most common, and well known method.)
-------------------------------------------------------
Doum tek-ka-tek Doum-Doum tek-Ka (Middle Eastern style)
(or in shorthand = D t-k-t D-D t-K)
-------------------------------------------------------
Boom chickaChick Boom-Boom chicKa
-------------------------------------------------------
B o-o-o B-B o-O
-------------------------------------------------------
Bass=B, Slap=S, Rim Shot=R, Open Tone=O, Closed Tone=C, Muffled Bass=M (I don't use this one very much)
-------------------------------------------------------
If it's dark, and I'm in a hurry, which is usually the case: I use Morse Code _ ... __..
-------------------------------------------------------
I've seen some others use this method: R l-r-l R-L r-L
-------------------------------------------------------
Or, very basic: B= bass tone, T= tone note, S= slap note, lower case letter for softer tones.
-------------------------------------------------------
Jazz scatting - Just write down what it sounds like.
Boom sha-ka-la Boom-Boom sha-Ka, or Ba-Dum BaDay Ba-Dum BaDum, etc. Maybe even make up your own method.


When I'm suggesting a rhythm to play. I like to vocalize the first few bars of it before I begin playing it, and I start it out very slowly, then I can gradually bring it up to the desired tempo (speed) once they are comfortable with it. I always mention that this is just a starting point, and you don't have to play this support rhythm, play whatever you feel fits.

Interestingly, I've found that most people can wrap their heads around it quicker if I vocalize sounds with a "K" in them.

ie: Boom chicka-boom Chick. Or, Doum tekka-doum Tek. Or, I just "scat" them out jazz style any way I can think of.

Another idea is drumming to common word phrases, rhymes or well known commercial jingles to get things rolling.

ie: "Yum, Yum, tastes like chic-ken" (D, D, t k t-k) or try "pep-per-oni-Piz-Za" (t-k-t-k D D) 2 bass, 4 tones.


When I'm working with beginners I like to use this style, and explain the different sounds like this:

Doum (D) – Right hand, clear, low tone, (from center of drum – like you’re bouncing a basketball, or on a trampoline)

Tek (t) & Ka (k) – Right & Left hand, crisp high tone (sharply striking the edge of the drum head) I've heard some say to pretend like you are hitting the bottom of a hot frying pan or stove burner. I don't like to say that, because right away, it associates drumming with pain. That's not something I want to do, especially with beginners.

Tek (T) - is usually played with the dominant hand. Reverse hands if you are left-handed, like me. The accented strokes (or slaps) are in caps.

I hope this helps you to notate rhythms a little faster, and makes it a little easier to suggest rhythms to your group.


More On Hand Drumming, Drum Circle Advice, And Opinions

I do have a 300 page book for sale on these subjects. It would help out if you bought it from me, but I'm happy to offer any advice, or give my opinion, and answer questions on anything hand drumming, or drum circle related.

I teach 1 on 1 hand drumming lessons a lot. I think more important than the lessons, is finding the right drum for yourself. One that's right for your hands, for your body, and your soul. I heard someone else say, "You need to find that soulmate drum." That is so right. Many of us buy drums for years before finding it. No matter what your musical skill level is, 90% of the people I work with only actually need one drumming lesson to get them started and off on their drumming journey. But it's more important that they find the proper drum that is right for them. Different styles of drums work for different kinds of people. There is one out there that's right for you, or someone you know. I am more than happy to give you my opinion on what might be the right drum for you. My DVD or CD of rhythms is an ideal resource to practice with. Then it's off to the drum circle where you get the very best drumming lessons. Just learn from watching what the others do. That's how many of us got started.

If you live out of the St. Louis area, and need some advice, suggestions, ideas, or anything at all about hosting any form of drum circle, I am more than happy to try and help you along. I like to try and give back a little, and help anyone in the drumming community. If you look around my site, you will find lots of ideas and helpful information. Even if you aren't sure what kind of drum might be right for you, or your group, just email me and I will try to help you along. I don't sell many drums, but I do have years of experience with most major brands, styles, and retailers. I can recommend the places to you that I buy mine from. If you are wanting to host or facilitate drum circles, I think this art form has evolved a lot in the last ten years alone. All art forms can be very subjective. There used to be only one or two recognized accepted ways to facilitate drum circles. Now there are dozens of styles all around the world, because this is an ever evolving art form.


My Biography

I've been a performing artist for most of my life. I've been playing the drums since 1968. My love for drumming started as an outlet for childhood hyperactivity, and I went on to be the lead snare drummer in the school marching band, then the percussionist in a symphony.

After moving to Florida in 1975, I played percussion in various bands and orchestras,
toured and recorded with a number of them, plus worked as a session musician.

I also started my acting career while in Florida. I moved to New York briefly, then on to Los Angeles, where, for 15 years, I worked as a musician, and a character actor. I appeared in a number of TV shows, films, and commercials. I was also a frequent guest performer on "The Tonight Show With Jay Leno" for 8 seasons. I'm a member of AFTRA/SAG, the two major performing arts unions.

I've been attending and facilitating drum circles for over 30 years. I think it helps to keep me sane. I've facilitated drumming events for the U.S. ARMY Chief Of Chaplains Religious Education Conference, Music Festivals, County State Fairs, The Florida Festivals & Events Association's Convention Trade Show, as well as many other major groups and companies, including OSI Restaurant Partners, Outback, on over to smaller groups, such as churches, college sorority reunions, weddings, and special needs groups. I was also a faculty member who taught drumming at The Dunedin Fine Arts Center.

I have trained with a number of highly respected hand drumming instructors. My drum circle hosting, and facilitation style is influenced by what I've learned from various top rated drummers, and drum circle facilitators, including Bill Summers, Babatunde Olatunji, Christine Stevens, Kalani, Jim Greiner, Arthur Hull, and Jim Donovan. But mostly by just attending lots of drum circles, learning by doing, watching and working with others.

If you have never been to a drum circle, just go. It's the best way to learn drumming. Watch, listen, and play along to the regulars. You showed up so everyone figures you are cool. Nobody really cares how good you are, unless you touch somebody else's drum without asking first.

Here's some references and testimonials:

Testimonials, Letters of Recommendation, & Resume

Please note that as of 2013, I'm no longer in Florida. I live in St. Louis, Missouri now.

My mission statement is: To help people discover their own sense of rhythm, at their own pace.

I've got some ink in my blood. Both my adoptive, and biological parents were writers, so it was important to me to write a good book in their honor. I have published two books available on Kindle (both in book share). One on drumming, and drum circles. The other book is about me in the acting business. I'm also a contributing author in a few other books, and various newspapers. I've released a hand drum rhythms instructional DVD, and multiple CD's worldwide.

The title of the drumming book is, "A Practical Guide To Hand Drumming And Drum Circles". It's 300 pages of text. The Kindle or Nook E Book is $8. It is self-published, and only available for purchase new directly from me here, or on Amazon.

My website started as a drum circle article back in 1997 in the Santa Monica Outlook, LA Times, and just grew up from there. Scope out my site's global drum circle finder, and locate drum circles near you. Even just as an observer, it is an interesting social activity. Please also consider my 2 hour DVD "101 Drum Circle Rhythms".

Thanks in advance for considering my books / DVD / CD's, and for helping to support an independent artist.


Drum Circle Finder - Locate A Drum Circle Near You

Find a drum circle near you in the USA, and Worldwide with my drum circle finder. 1000's of drum circles listed around the globe. It's a free service to the drumming and dancing community. I established it back in 1999. Drum circles are becoming more popular, there's probably a few in your state. The drum circle finder is updated monthly.

USA Drum Circle Finder Link



Visit my drumcircles.net FaceBook Page:

If you are on FaceBook, my page has a variety of notated drum circle rhythms you can scroll through, and try out a few at your drum circle, or with your group. To find it, search on FaceBook for the "drumcircles.net" page, or use the link below.

drumcircles.net | Promote Your Page Too




 DrumCircles.net  Blog

Lots of Helpful hints, ideas, suggestions, stories, and drumming tips. Drum circle rhythm notations, and much more.

Some of the topics include: Choosing that first djembe drum. Improving your drum circle facilitating or hosting style on a budget. Ways to get the word out and promote your drum circle. Trying to earn a living hosting drum circles. What that first drum circle was really like. Various ways to notate, vocalize, and start a drum circle rhythm. Reading written drum music. A long list of notated rhythms to try out in different styles. Drumming Via Webcam, And With Special Needs Kids. The 3 lyric Version Of Fanga. How to start up a drum circle. The social, physical & mental benefits of drum circles. Choosing a first drum for your child, various ways to get free drum circle facilitation experience. Drumming in the Winter, and Summer. Tuning a lug tuned djembe, conga, or doumbek, and replacing a drum head. Ways to mark your drum. Finding a good doumbek drum on a budget, and ways to tell the quality of them. Tips on sitting in with bands and drumming groups, and learning to play by ear. My latest post is on special needs drum circles, and those with limitations. Plus lots more to help you enjoy drumming more. I try to post something new each month.

Drum Circle Blog at blogspot.com


Check out my drumcircles.net Twitter Feed: @drumcircles I try to put interesting stuff out there daily.




My Flickr Photostream, A whole bunch of pretty good drum circle and dancer photos:

drumcircles.net Flickr Photostream


Check out my SoundCloud music page, lots of cool drum circle jams & strange ones also:

drumcircles.net SoundCloud page


A few cool drumming videos of mine, and quite a few from other people, at my YouTube channel:

drumcircles.net at YouTube


Check out the drumcircles.net MySpace page. For some reason, it's still there:

drumcircles.net on MySpace


My 101 Drum Circle Rhythms DVD is also available as an instant download at Amazon.com ($8.)

An effective way to keep a drumming program, or drum circle interesting, is to have a wide variety of rhythms to draw from. My 2 hour hand drum rhythms video makes ideal reference material. It's $10 and includes a free drum circle jam CD. You can also pick it up at Amazon.com for a bit more. Great for your TV, iPad, tablet, or phone.

The 120 rhythms are also on 2 audio CD's for $10. The link below is for both of them. They are also available in mp3 format at most online retailers such as CDbaby for $10, as well as iTunes, Amazon, and most others.

2 Hour DVD 101 Drum Circle Rhythms Link

Check out these 7 drum circle rhythms in this YouTube video. Please keep in mind that this is only 7 minutes from my two hour DVD. The DVD title is 101 Drum Circle Rhythms. Actually, there is 120 of them, but who's counting. I hope you enjoy one or two, and these help to get you in the groove. On the DVD there are lots of fun ethnic drum beats from around the world to explore, have fun with, and make them your own. Over 2 hours of them will keep you in the drumming mood for a long time. Each rhythm is about a minute long.





I do some charity work around our local area. There is some wear and tear on the musical instruments that I provide for use at these events. I don't receive any funding now or in the past. The proceeds from the sales of my drumming CD's, DVDs, and drum circle book help me to finance the repairs, and to be able to continue working for organizations with limited recreational budgets. (Who benefit from it the most.)



There is increasing recognition of the health benefits of music therapy, particularly facilitated hand drumming, which is what I do for a living. Unfortunately, places where the people who benefit the most, such as senior centers and special needs can not afford to pay for this.



As an independent artist, money is tight, so I always appreciate a product that is a good value for the cost. That's the idea behind my book, DVD, and CD's. If you choose to purchase something from me, thanks in advance for helping out with drum repairs, and expenses. (Please visit the links to see my DVD, CD's, 300 page book, "A Practical Guide To Hand Drumming And Drum Circles". $8.


Drum Circle Merch: Goodies for drummers dancers on CafePress - t Shirts, cups, phone cases, etc. (Link)


"This Is Your Brain On Drums" My Interview about drum circles on AM Talk Radio

Would a board-certified neurologist really prescribe drum circles for some of his patients?

Listen to this past national AM radio syndicated broadcast of the Healthy Talk Radio Show, featuring Deborah Ray, Neurologist Doctor Hammesfahr, and myself, to find out why. It's interesting to hear his perspective on drum circles and their benefits. (It's 55 minutes long -- a 25MB mp3)

This is follow up interview number 2, taped a few months later, (posted below this one). This interview features Doctor Knaus, Doctor Hammesfahr, and myself. We discuss the benefits of theraputic drumming, and how it can bring you back to the rhythm of nature, and the earth. We also talk about the resonant frequency of the planet, the human brain, and how similar they are. It's a pretty fascinating interview. (It's 30 minutes long -- a 12MB mp3)

Drum Circles on AM Talk Radio download

Drum Circles on AM Talk Radio download 2


My Other Book About The Acting Biz, "An Actor's Face" - $3.

As I'm sure you're aware, many musicians, singers, dancers, and other artists, cross over into the acting business. My other book is titled, "An Actor's Face" - It's on Amazon Kindle for $3 and it's in the bookshare program. Have a look at my actor page, and see some of the kinds of roles you end up doing as a working actor. I got all the glamor stuff. See if the acting field is something you might want to explore. A lot of people are hurting out there these days, and it's a way to possibly supplement your income no matter where you live. Here's the Amazon link:

An Actor's Face Book Link


Drum Circle Music Mp3's

I hope you enjoyed your visit to my site. Please consider picking up a set of my drum rhythms, or drum circle CD's. A 2 disc set (2.5 hours) is ten bucks at most online retailers. Hours of live drum circle jams to put in your phone, mp3 player, iPod, iPad, or any other mp3 compatible device. It's some fun listening, and a pretty good deal! Here's the page link:

To the Drum Circle MP3's Page


If you're a filmmaker or video / TV producer all of my drumming and drum circle music tracks are licensed. Check out CDBaby.com & listen to a few. There's a wide variety of cultures, styles, and tempos to choose from. Over 10 hours worth to choose from. A good drumming track helps to set that perfect mood for a scene. Here's the website url:

http://www.cdbaby.com/Artist/SLRatigan

Or, click the CDbaby.com link below:

My CD Baby Artist Page



Some timeless quotes by Babatunde Olatunji :

"I am the drum...you are the drum...we are the drum..." -- Babatunde Olatunji

"Rhythm is the soul of life. The whole universe revolves in rhythm. Everything & every human action revolves in rhythm." -- Babatunde Olatunji


"Yesterday is history. Tomorrow is a mystery. And today? Today is a gift. That's why we call it the present." -- Babatunde Olatunji


“A Drum in Every Kitchen!” -- Babatunde Olatunji


"The evocative power of the drum can be compared to the Trinity. The drum's frame comes from the trunk of a tree, and that tree has a spirit. It is not dead wood. There is also spirit in the animal skin. If there wasn't, it would not produce sound. Those, plus the spirit of the person playing become an irresistible force." -- Babatunde Olatunji


"Whether you realize it or not, we are engaging in a cultural revolution. We are bringing people from all levels of life, understanding and background together. That's the wonderful thing about drumming." -- Babatunde Olatunji


"Drumming is the simplest thing that we can do to bring us together." -- Babatunde Olatunji


"The Creator wants us to drum. He wants us to corrupt the world with drum, dance and chants. After all, we have already corrupted the world with power and greed....which hasn't gotten us anywhere - now's the time to corrupt the world with drum, dance and chants." -- Babatunde Olatunji


To the drumcircles.net Home Page
Drum Rhythm CD's, Drum Circle Finder, & More


Got a comment, or a question about something drumming related? Email me below. I respect your privacy, and I never give email addresses out to anyone. It may take me a day or so to get back to you, but I will.

My Contact Email: drumcircles_net(at)hotmail.com

This Website Copyright © Shannon Ratigan 1999 - 2017 All Rights Reserved.






































Friday, January 31, 2014

Reading Drum Music - Ways to Notate & Teach Drumming Rhythms

This is a list of various rhythms I enjoy playing, and ways to read and notate drum music. It's my own interpretation of them. There are a few different ways I like to notate, and/or and vocalize the start of a drum circle rhythm. Print this out if you want to, it’s a Word doc at my site drumcircles.net - I like to help people enjoy drumming more. A big part of being a musician, is helping other musicians along.

Most drum circle rhythms are played in either 4/4 or 6/8 time. Try it in 4/4 time, before you go to 6/8. Also, try tapping your foot as you play. 1-2-3-4 There are 4 quarter notes are in a measure of 4/4 time. Then break it down to 8th notes, then 16th notes this way. 1e&a 2e&a 3e&a 4e&a Try saying them out loud as you play your drum. (With no spaces)

There's a variety of different ways I like to use to notate a drum rhythm. It's really a matter of personal preference, and what ever you find the easiest for you to use. Here's some various ways I've seen to notate a drum rhythm. Using one of these methods, you can quickly and clearly transcribe a drum rhythm to save it for another day. The accented strokes, (or slaps) are all in caps.

Here's an example with the basic "Fanga" drum rhythm in 4/4 time notated a few different ways with different notating styles:

Gun go-do-go Gun-Dun go-Do (Also, pa & ta are used in some rhythms.) (As far as I know, this is a style that was taught by Babatunde Olatunji. It’s probably the most common, and well known method.)

(Middle Eastern style) Doum tek-ka-tek Doum-Doum tek-Ka
(Or in shorthand = D t-k-t D-D t-K)

(Play it how it sounds.) Boom chickaChick Boom-Boom chicKa

(Basic notation) B o-o-o B-B o-O

Bass=B, Slap=S, Rim Shot=R, Open Tone=O, Closed Tone=C, Muffled Bass=M (I don't use this one very much, but it’s a good way to notate.)

If I'm in a hurry, which is usually the case: I sometimes use Morse Code to quickly jot down a rhythm. _ ... __..

I've seen some others use just this style just notating which hand to use as a method:
R l-r-l R-L r-L

Or, very basic: B= bass tone, T= tone note, S= slap note, lower case letter for softer tones.

Jazz scatting - Just write down what it sounds like. Boom sha-ka-la Boom-Boom sha-Ka, or Ba-Dum BaDay Ba-Dum BaDum, etc. Maybe even make up your own method.

If I work with a group on a regular basis, I eventually work in how to traditionally read music, and music theory. Whole notes, half notes, quarter notes, meter, various time signatures, musical terms, and so on. If I work it in a little at a time during the circle – even 8 year olds can pick it up pretty fast. 8 years olds can design video games these days, so learning a drum rhythm – no problem. I just don’t want to overwhelm them with too much right away, or make it feel like a school class. (Even if that’s what it is.)

When I'm suggesting a rhythm to play. I like to vocalize the first few bars of it before I begin playing it, and I start it out very slowly, then I can gradually bring it up to the desired tempo (speed) once they are comfortable with it. I always mention that this is just a starting point, and you don't have to play this support rhythm, play whatever you feel fits.

Interestingly, I've found that most people can wrap their heads around it quicker if I vocalize sounds with a "K" in them. ie: Doum tekka-doum Tek. (or) Boom chicka-boom Chick. (or) I just "scat" them out jazz style any way I can think of. My main objective is to get them playing a drum as quickly as possible, and get them creating, and not thinking

Another idea is drumming to common word phrases, rhymes or well known commercial jingles to get things rolling. ie: "Yum, Yum, tastes like chic-ken" (D, D, t k t-k) or try "pep-per-oni-Piz-Za" (t-k-t-k D D) 2 bass, 4 tones

KC & The Sunshine Band inspired drum circle rhythm:
"That's The way, Uh Huh, Uh Huh, I like It, Uh Huh Uh Huh"
Doum ka-tek, ka-DoumDoum Tek, KaDoum ka-tek, ka-DoumDoum Tek
(I guess that disco era helped me out after all!)

Good start up drum circle rhythm: "Yum Yum Tastes Like Ckic-ken" (Just like it sounds) - doum doum tek-ka tekka, doum doum tek-ka tekka

An easy way to get a Clave drum rhythm jamming is to remind people of the beat to songs like "Mockingbird" or "Hand Jive"

Sly & The Family Stone inspired beat. Boom sha-ka la ka, Boom sha-ka-la-ka

Word association is a great way to get a 6/8 drum circle rhythm going.
Fol-low-the-yel-low-brick-road-go-do-pa-ta-pa or cabbage & broccoli…

The "conga line" rhythm usually turns into a good drum jam. On the Doumbek:
doum-ka, doum-ka, tek--tek. Or on the Djembe: gun-pa, gun-pa, go--do
or just feel the rhythm vamp to MJ's “Thriller".

Variation of an African drum rhythm Gunazi. Boom sha-ka Boom Boom, shakala, Slap! Boom sha-ka Boom Boom, shakala, Slap! (or some accented tone at the end)

Common commercial jingles, or rhymes make fun drum circle rhythms:
Cuckoo For Cocoa Puffs - Shaka-sha-lakaBoom, Shaka-sha-lakaBoom

Drum circle rhythm with a Brazilian flair to it:
Doum--ka-tekka--Doum--ka-tek-ka,- Doum--ka-tekka--Doum--ka-tek-ka

Boom-Boom chakachaka ping ping ping! (gun dun patapata slap slap Slap)

Masmuudii 316 - A fun drum circle rhythm that rolls like a freight train
D---D---t-k-T-k-D-tktkt-TktkT-t (1 measure in 4/4 time) 1e&a2e&a3e&a4e&a

An odd rhythm: oom-pah---oom-pah---oom-pahpah__oom-pah---oom-pah---oom-pah-slap (start with dominant hand, RL,RL,RLR__LR,LR,LRL) Bass, tones, and etc. (Alternate to balance both sides of the body.)

"Bambii" A cool drum circle rhythm -
Doum-tekka-katek-tekka-kaDoum-Doum__Doum-tekka-katek-tekka-kaDoum-Doum Doum (It's in 4/4 time, the 3 Doums at the end is what makes this one really groove.)
(Or, try it filled: Dk kT kk Tk kT kk D D)

Nice support rhythm to start at the drum circle:
Boom sha La-ka Boom Boom-Cha__Boom sha La-ka Boom Boom-Cha

Cool drum circle rhythm Karsilama 3, it has a triplet at the end:
D-kkT-kkD-kkT-T-T (2+2+2+3) (Shorthand notation on this one.)

Addictive drum rhythm that's similar to the rhythm Ayyub ( D k-D t )
On the Doumbek: Doum tek-keh Doum tek (repeats and builds) Or on the Djembe: Gun go-do Gun go

Tootie Fruitie Drum Circle Jam - Wop-baba-lou-bop__a-wop-Bam-Boom, Wop-baba-lou-bop__a-wop-Bam-Boom(I think Little Richard might dig us drumming to this.)

Sweet drum circle rhythm: Boom - che-boom_che-boom-a-choc_o_late__choc_o_late, (dramatic pause) Boom - che-boom_che-boom-a-choc_o_late__choc_o_late

Drum to rhymes or phrases to start a 6/8 drum circle rhythm rolling:
You-huff-and-you-puff-and-you-blow-the-Gun-Dun-go-do

Saiidi Drum Circle Rhythm - Doum tekka tekka doum doum tekka-Tek

Beledi - Zaffah variation, Boom chick-a chick, Boom Boom _ chick-a-chick-a boom.

Gawazi - a great drum circle rhythm for dancers
D tkD D tkt tktk, D tkD D tkt tktk

Slower grooving drum rhythm. Usually a hit with beginners & pros - Boom, sha-La-Ka-Boom-Boom (pause) Boom, sha-La-Ka-Boom-Boom

A fun variation of the Chifitelli rhythm (played nice and slow)
Doum, tek-ka tek-ka doum doum Tek (pause) Doum, tek-ka tek-ka doum doum Doum.

Zaffah drum rhythm (As far as I know it's an Egyptian wedding processional in 4/4 time.) D-tkt-t-D-t-t-tt (repeat)

One of my favorite drum rhythms:
Doum tek a tek tek-ka, Doum tek a tek tek-ka, Doum tek a tek tek-ka, Doum Doum Tek. (pause, and repeat)

This drum circle rhythm has kind of a hip hop feel to it. (4/4 time) Doum Doum, kaTek-doum, kaDoum Tek, - Doum Doum, kaTek-doum, kaDoum Tek (fun!)

Boom ShaLa-Ka BoomBoom (pause) Boom ShaLa-Ka BoomBoom (pause) This drum circle rhythm played nice and slow has a spiritual vibe, it’s good one to get the group in sync. Great with 3 djun djuns.

A good warm up rhythm, or drum circle starter is the basic drum circle standard Doum Ka-Tek Ka, Doum Ka-Tek Ka, (or) Boom Sha-La Ka, Boom Sha-La Ka in 4/4 time. If played softly at a slow tempo, you can speak to the rhythm and welcome people, etc. It's also great for someone who does spoken word, or even a budding rapper. Makes for some great improvised fun. We had this guy who used to bust out some great rhythms and stories to this one.

An intriging drum circle rhythm in a count of "7" (1-2, 1-2, 1-2-3) Triplet at the end. Sounds like this: Doum(rest) Doum(rest) tek-ka-tek or Doum_Doum_tek-ka-tek, Doum_Doum_tek-ka-tek - Interesting stuff happens, or you get a train wreck. But that's half the fun, taking a risk.

One of many Native American heartbeat drum rhythms in 4/4 time, mellow bass notes: Boom__boom__boom,boom,boom_, - (1 & 2 & 3 & 4 &) Boom__boom__boom,boom,boom_ -

Another Native American Rhythm: kaBoom…kaBoom…kaBoom ka Boom Boom

Doum-Tek-Ka Doum-Tek-Ka Doum__Tek, Doum-Tek-Ka Doum-Tek-Ka Doum__Tek, - Start with a real slow tempo and it's a trance rhythm. Speed it up and it rocks!

A Tabla rhythm, but fun to try on a djembe or doumbek: da-di ki na doum, da-di ki na doum doum doum.

This drum circle rhythm the bellydancers request a lot. It's a Greek line dance in 2/4
Doum-tekkatek-tek, Doum-tekkaDoum-tek. It has a nice groove once it gets going.

Here's a basic Irish beat that sounds like this: Boom-ba-da-ba, Boom-ba-da-ba Boom, Notated in Bodhran speak, it looks like this: 0 \/ /\ \/, 0 \/ /\ \/ 0, - Have fun and add some more beats to it: - Boom-ba-da-ba-da-ba-da, Boom-ba-da-ba-da-ba-da Boom.

This drum circle rhythm is the same one the Greek national hymn goes to: Doum-tekkaTek-tek-Doum-tek-, Doum-tekkaTek-tek-Doum-tek

This 4/4 drum circle rhythm has a "hand clap" in it, which adds to the fun & creates a new dimension. Doum Tek-Ka, Doum Tek-Ka, Doum Tek Clap, (pause, repeat phrase) I suggest playing it at a slow tempo, and it gets people laughing if you make the hand clap a high five to the person on their right.

Speaking of clapping, the clapping beat at the beginning of the song "Car Wash" makes a jovial drum circle rhythm. doum, doum, doum ka-tek ka tek! (pause) doum, doum, doum ka-tek ka tek!

Bolero Drum Circle Rhythm in 4/4 time, the accents are in caps:
Doum tekkaTek ka tek ka tek ka, Doum tekkaTek ka tek ka tek ka

Word association is a great way to get a drum circle rhythm going especially with kids: "The people on the train go round and round" ("The" is a whole note, "people on the train" all quarter notes, "go round and round" half notes, and there is a pause at the end.

Another "sweet" drum circle rhythm Agilablanca in 4/4: I-like-to-eat__choc-late-cake, (pause, repeat) (the 1st half is all tones, the last half is all bass notes)

A variation of an Egyptian drum rhythm called Karaatshi in 2/4 time:
Doum-tekkatek-tekkaDoum-tekkatek-tekkaDoum

Less sometimes really is more. A simple beat can make a great drum circle rhythm starter, (and really please the “players”) : Doum-Doum (pause) Doum-Doum (pause, repeat) Or, Gun-Dun (pause) Dun-Gun (pause)

Similar to the rhythm Ayyub (D k-D t, D k-D t) it leaves plenty of space to add fills, solos, and to improvise.

A good party drum circle rhythm we played at a last Mardi Gras: The roof, the roof...the roof is on Fire! Say it then play it. doum Doum, doum Doum...ka tek-ka Ka Tek!

Interesting yet challenging drum circle rhythm in 6/8 sometimes known as Darj:
D-TkT-D-T
1-+-2-+-3-+-

An Egyptian drumming rhythm called Jaark in 4/4 time:
D-kkT-tkDDtkT-tk, D-kkT-tkDDtkT-tk

At public drum circles, occasionally after a couple of hours of drumming, sometimes people run out of group drum circle rhythms to start out with. People will look around and say, “Anyone got a rhythm to start out with?” This djembe support rhythm always turns into a good drum jam. It’s in 4/4 time: Go Do pata padaTa, Go Do pata padaTa (Go and Do are 1 & 2, the Ta is a slap tone) (I use "da" as a closed tone note, or as a different softer lower pitched sound between "pa" and "ta".) 1, 2, 3, 4, Try tapping your foot on the 4 counts as you play it. Or here is 2 measures, count to 4 twice, D D tk ktT, D D tk ktT

Here’s another djembe support rhythm to try, the gun and dun are all bass and the rest tone notes, in 4.4 time: Gun pa gun-dun, Gun pa da-pa, (half beat pause and repeat the phrase) Gun pa gun-dun, Gun pa da-pa. If there’s any good soloists, or even djembe cowboys in the house, they will love you for it. lol

Drum circle rhythm WaaHida in 4/4: 1+2+3+4+
Doum-tekkatekkaTek-tekkatekkaTek-ka-, Doum-tekkatekkaTek-tekkatekkaTek-ka-,

Drumming out a waltz? It may sound like a bit of a yawner, but honestly, I think the drum circle waltz is a great way to balance the mind, body, and help get people firmly grounded. Once it gets rolling, it can always easily transition to a snappy 6/8 rhythm. It's an especially good rhythm for groups of beginners. Try to get them to alternate hands, R-L-R, L-R-L (Gun-do-go, Dun-go-do) Accent on the 1st bass note. The key to this one is to keep it at a slow tempo for awhile.

Try drumming out "Morse Code" rhythms. Ask someone to suggest 2 letters, or numbers, and put them together to make a new drum circle rhythm. _ _...._ _ A dot is a tone, and a dash, is a bass note. Sometimes they work, & sometimes they don't, that's part of the fun. There’s a Morse Code alphabet chart at drumcircleworld.com or do a search, you can find one easily.

An interesting drum rhythm known in some cultures as Sabamaa. Played in 4/4 time.
D-TkTkT-D-TkT-Tk, D-TkTkT-D-TkT-Tk

Again, try tapping your foot as you play. 1-2-3-4
D-TkTkT-D-TkT-Tk
1e&a2e&a3e&a4e&a

I dig this drum circle rhythm because of the long pauses. It gives the bass a chance to resonate a little bit. It’s in 4/4 time - Doum---tekkatek-tek-Doum---tek-, Doum---tekkatek-tek-Doum---tek-

Basic yet fun drum circle rhythm sometimes called the Turkish 5. Plenty of room for fills. It's in 5/4 time, all the beats are on the numbers:
1+2+3+4+5+
D k t k t

Fun djembe support rhythm for the drum circle: Gun Dun godo pa-ta-pa, Gun Dun godo pa-ta-pa (or) Doum Doum tekka ka-tek-ka, Doum Doum tekka ka-tek-ka

"A Drum Circle Rhythm You Can't Refuse" Ba-da Bing, Ba-da Boom, Ba-da Bing_Bang_Boom, (or) Go-do Pa, Pa-ta Go, Go-do Pa_Ta_Pa

"Little Drummer Boy" Christmas drum rhythm, if you can hum it, you can drum it!
Let's All Play Our Drum...Pa - Rum Pa PumPum...Rum Pa PumPum


Sort of a trance drum circle rhythm. Doum-tek-ka-Doum-tek-ka-Doum-tek, Doum-tek-ka-Doum-tek-ka-Doum-tek

- - - - - - - -

Sometimes to have a great drum circle rhythm jam, it needs a great ending. Rather than the usual fade out, or rumble ending, try this out. I usually mention the idea to the group, and we quickly practice it in advance before we start, so everyone is ready. Like about a 30 second rehearsal. Then get right to the rhythm you had planned to play. For me, 4/4 time works the best. The end is 9 tones then 2 bass notes. Repeat 6 times with a pause between each rep. As we are still playing, I will holler out, “Okay, here comes the ending! And count them down out loud. “ 1 2 3 4 5 6 7 8 9 boom boom, (pause) “5 more” 1 2 3 4 5 6 7 8 9 boom boom, (pause) “4 more times” etc. ♪♪♪♪♪♪♪♪♪_♪_♪_

Another fun ending is 5 tones followed by 3 bass notes. A 1 beat pause and repeat them whole thing 6 times. After the rhythm has run it's course, get everyone's attention & say, "ok here comes the ending", and go right into it. 12345_1_2_3 (Again, I count the reps down out loud), "5 more times" and we play, tek ka tek ka tek, doum_doum_doum. “4 more times” etc. ♪♪♪♪♪_♪_♪_♪_

The cool thing about these drum rhythm endings is that they all catch on after the 2nd or 3rd rep. and all end together. On the last one, everyone usually stops in unison, then a big whoosh of silence, followed by smiles claps and pride. It's very cool, and a good confidence builder. To help this work smoother, I usually I quickly practice the ending in advance with the group before we start, and then go right into it, so they are prepared when the time comes.

- - - - - - - -

Another fun idea to entice movement in the center is to bring along a hula hoop to ramp up the fun at your drum circle. It gives people a rhythmic motion to groove to. I was surpised when I saw people of all different ages wanting to get in there and try it. The drum rhythm Beledi is a good one to use. D D tkT D tkT(pause)D D tkT D tkT. 4/4 time, it sounds like: Doum Doum tek-ka-Tek, Doum tek-ka-Tek. {One of my dancer friends said the Beledi rhythm is the "Catnip Rhythm" for belly dancers. lol. I like that.)

I hope this list helps you and your friends to enjoy drumming more.

If you would consider picking up my 101 Drum Circle Rhythms DVD, hand drumming and drum circles book, or possibly some of my drum circle jam CDs – mp3s - I would appreciate that. It would help out a little bit with the work I do in our community. Many of the groups I work with have very limited recreational budgets. A hundred bucks for 2 – 45 minute drum circles is a stretch for most of them. Thanks in advance if you do purchase something from me. My 2 hour DVD will show you how to play over 120 diffferent rhythms for $15. It’s on Amazon Instant Video for $14. It helps out the most, if you buy direct from me. Please visit my site drumcircles.net for my 101 Rhythms DVD, book, drumming music, and more.

Shannon

drumcircles.net & for phones use: drumcircleworld.com

Copyright © Shannon Ratigan All Rights Reserved.

Thursday, August 15, 2013

Facilitated Drum Circle Set List “Round The World” Facilitation

Facilitated 1 Hour Drum Circle Set List “Round The World”

With most groups I facilitate drum circles for, I like to use a "set list" similar to what bands use. I'm hoping some of the approach I use helps you. Also, this is a free word doc at my website drumcircles.net - Please feel free to print out any parts of it if you think it might be useful.

The first page of rhythms below is what I write up the night before, (after I've done some research on the group, org, and their objectives having a drum circle). I use this for pretty much all drum circles I facilitate. Businesses, events, elders, kids, special needs, etc. - it tends to work for me all around. Since an hour goes by so quickly, (or even two) I've found that if we spend the time making music, it achieves their goals.

My goal is for them to have the best time possible just playing drums. No activities, games, or etc. Just shut up and play. The better the music sounds, the better it feels. I want them to get the healing power of drumming in their bodies. Some people do have physical limitations as to what they can play, so I bring a couple bins of assorted percussion. I don't want anyone to be excluded.

I adjust my rhythms set list to suit whatever the group is, but I use this as a general guideline for most smaller circles. Often, it all goes out the window after the first few rhythms, because I let the group vibe and dynamic help guide me. Learning to just trust that when I started facilitating back in the 80's, took me a few years not to freak out if things didn't seem to be going right, or even if a rhythm trainwrecked. It happens. I keep things light, and add humor when I can. So if it happens, I joke about it, "opps my fault", we laugh, and move on. Make the whole experience fun. If it's all serious, it can become more like a classroom experience.

Another aspect to keep in mind, (with whatever the group is) that people are usually transitioning in, and out of the circle as rhythms are happening, so the music is constantly changing, and transitioning. Don't try to control it, just roll with it. Staying tuned in, and evolving with them keeps it in the groove, and sets the right tone.

I encourage people to join in when they feel like they want to. I don't intervene if someone is not playing. Shining a light on them isn't the right move. Even if someone is just sitting there with a scowl on their face, it doesn't necessarily mean they aren't into it, and having a good time. I've had a few of those who sat there the entire circle, came up to me afterwards, and thanked me for just letting them alone to enjoy. So anyway, here's my set list:

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Warm Up Jam: Boom_Shala-Ka...Boom_shala-Ka...

Heartbeat: Boom Boom chicka chicka Boom Boom....Boom Boom chicka chicka Boom Boom tap.

Beledi: D D tkt D tkt_D D tkt D tkt_

Fanga: Dun, -, -, go, +, do, go, -, Dun, -, Gun, -, do, go, -, -

Jewish Rhythm: D t-k D t, D t-k D t,

Mother Rhythm in 6/8

Hip Hop Rhythm

Gawasi: D tkD D tkt tktk

Clave: Mockingbird

Agilablanca: I like to eat, choc-late-cake. (Or another one I like:) Yum Yum, Tastes Like Chicken

Greek: Doum tek a tek tek-ka, Doum tek a tek tek-ka, Doum tek a tek tek-ka, Doum Doum Tek _ (pause, & repeat)

Improvisation Jam, & that's it. End it with a big rumble.

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So that's an example set list I would write for most one hour drum circles I facilitate. There are certainly other ways to do this, it's just how I approach it. (More detailed notations are below.)

Once you get going, it’s surprising how fast an hour can go, so I try to keep the rhythms about 7 minutes long. One hour usually turns into 90 minutes. What can I say...I’m a softie.

I like to get a warm up jam going as quickly as possible, so if anyone has nerves, they just melt away. This is what the elders in most cultures did, they would drum first, and talk later.

Most of the rhythms are in 4/4 time (4 counts to a measure), but I like to get at least one 6/8 rhythm in the set somewhere when it feels right.

I always start with a slow basic, yet grooving default drum circle beat. It sounds like this:

Warm Up Jam: Boom_ShaLa-Ka...Boom_shala-Ka... I just start playing it & say, "Play whatever you want, just follow the beat."

After that warm up jam, I can assess the group dynamic, and skill levels, which helps me to make changes or choices from my set list.

If they are all beginners I use Queen's: "We Will Rock You" - Gun Dun go ! Gun Dun go ! Gun Dun go! baGun Dun go !

Or this beat: Bass - Bass _ tap tap tap _ Bass - Bass _ tap tap tap _ (bass on the 1 & 3, tones one the 1,2,3 after it.) The last 4 is a rest. It's a very basic rhythm, but once the group has it in solid, you can gradually bring up the tempo, and both can turn in to nifty little jams.

I facilitate from the side, and mostly through the music. I adjust my set list to fit the particular group, but for the most part, this is what I use. I like to guide them around the world in drum rhythms. Early on, I mention that the rhythm I'm playing is just a starting point. Play whatever you want, play whatever feels good to you, or whatever you feel fits. Improvise, experiment, and express yourself. After the warm up jam, I spend a couple minutes on hand technique so there are no sore hands, and volume so nobody is too uncomfortable.

When I'm suggesting a rhythm to play. I like to vocalize the first few measures before I start, or as I'm playing it, and I start it out very slowly. Then I can gradually bring it up to tempo once we have a pretty solid groove going.

The reason is the analytical side of the brain processes it faster, that frees up the creative intuitive side so they can improvise. Then people can play what they feel, rather than over-thinking it. It is after all, "a drum circle" not calculus.

Interestingly, I've found that most people can wrap their heads around it quicker if I vocalize sounds with a "K" in them.

The count is in 4/4 time on most of these: 1e&a2e&a3e&a4e&a

Middle Eastern style: Doum tekka-doum Tek. ( abbreviated it's D tk-d T )

Or use Babatunde Olatunji's - Gun Dun go do pa ta style,

Or, use just how it sounds: Boom chicka-boom Chick

Or, just "scat" them out jazz style any way you can. "Boom chicka boom boom" works pretty good, seriously.

Anyway, at this point, they're warmed up & totally got it. (We hope!) Then I usually choose what feels right from these rhythms in 4/4:

Heartbeat: Boom Boom Chicka Chicka Boom Boom....Boom Boom Chicka Chicka Boom Boom tap.

Variation: Boom ShaLa-Ka Boom Boom__Boom ShaLa-Ka Boom Boom__ (both are spiritual if you play slow, bring uptempo & it grooves.)

I keep the energy level up with either Beledi or Fanga about this point:

Beledi: D D tkt D tkt_D D tkt D tkt_ (I throw a bridge in there after it gets going.)

Sounds like this: Doum Doum TekKatek, Doum Tekkatek...Doum Doum TekKatek, Doum Tekkatek-(tekaka)Doum Doum Tekkatek, Doum Tekkatek...

Fanga: Dun, -, -, go, +, do, go, -, Dun, -, Gun, -, do, go, -, -

This Jewish rhythm rocks hard: D t-k D t, D t-k D t, (Basic pattern is similar to the rhythm Ayub.)

Mother Rhythm next: 6/8 time. Follow The Yellow brick Road, or cabbage and broccoli, cabbage and broccoli. You-huff-and-you-puff-and-you-blow-the-Gun-Dun-go-do-pa etc - Anything to give them the time change feel.

Hip Hop or Funk Rhythm comes next. If some of them haven't danced in the center yet, this one will make it happen.

This has kind of a hip hop feel to it. Doum Doum, kaTek-doum, kaDoum Tek_ Doum Doum, kaTek-doum, kaDoum Tek

Clave or Samba rhythm next. Remind them of the beat to the songs; "Mockingbird or Hand Jive" Or try "Jingo" by Santana.

I do an improv jam to wrap things up, and they almost all leave wanting to play more.
If there is more time, I work in one of these 2 Rhythms:

Yum Yum tastes like chic-ken. Yum_ Yum_ tastes like chic-ken. Bass_ Bass_ tone tone tone-tone

Or Agilablanca: I like to eat, piz-za-pie. I like to eat, piz-za-pie or choc-late-cake. (4 tones followed by 3 bass notes.) Anything with 3 cylinders in it works.

Then here's the deeper stage 2 list:

Gawasi: D tkD D tkt tktk

Jaark variation: D tkt-tkDDtkt-tk

Masmuudii variation: D---D---t-k-t-k-D--tktk tktk

Gunazi: Boom sha-ka Boom Boom, shakala, Slap! Boom sha-ka Boom Boom, shakala, Slap! (or some accent tone at the end)

Karsilama 3: It has a triplet at the end: D-kkT-kkD-kkT-T-T (2+2+2+3) Challenging but fun.

Kids like this one: Boom - che-boom_che-boom-a-choc_o_late__choc_o_late,

Saiidi: Doum tekka tekka doum doum tekka-Tek _ Doum tekka tekka doum doum tekka-Tek

Zaffah: (As far as I know, an Egyptian wedding processional in 4/4 time.) D-tkt-t-D-t-t-tt (repeat)

One of my favorite drum rhythms:

Doum tek a tek tek-ka, Doum tek a tek tek-ka, Doum tek a tek tek-ka, Doum Doum Tek _ (pause, & repeat)

Tabla rhythm, but try on djembe or doumbek: da-di ki na doum, da-di ki na doum doum doum.

Greek line dance in 2/4: Doum-tekkatek-tek, Doum-tekkaDoum-tek.

Good 4/4 jam: Gun Dun godo padaTa_ Gun Dun godo padaTa_ (Ta is a slap tone)
(I use "da" as a closed tone note, or as a different softer lower pitched sound between "pa" and "ta slap tones".)

Another: Gun pa go-do, Gun pa da-pa,

More: Gun Dun godo pa-ta-pa, Gun Dun godo pa-ta-pa (or) Doum Doum tekka ka-tek-ka, Doum Doum tekka ka-tek-ka

A Waltz or 6/8 rhythm Darj:

D-TkT-D-T
1-+-2-+-3-+-

An Irish rhythm: Boom-ba-da-ba, Boom-ba-da-ba Boom,

Chifitelli variation (played slow) Doum, tek-ka tek-ka doum doum Tek _ Doum, tek-ka tek-ka doum doum Doum _ (repeat)

Cuckoo: Say & play it: Cuckoo for Cocoa Puffs - Shaka-sha-lakaBoom, Shaka-sha-lakaBoom

I like to mix slow grooving rhythms along with some up-tempo ones so they have some variety. When I was a teen in HS, my first music teacher taught me it's not how many notes you can play in a measure, but it's the space between them, that really makes the music. That stayed with me. Let the bass notes breathe...it's not a race.

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During the set, I try to share some back story on a few of the rhythms. Where it's from, how used, etc. Not too much, just a little here and there. Also during the set I mix in a little about the various drums, congas, djembes, doumbeks, frame drums, and etc. It makes it more interesting for them, and gives me a chance to shift gears to next rhythm. I always mention it's to the best of my knowledge, and that we should respect the other cultures, and the rhythms. I keep the set list in my gig bag, so I can glance at it if I need to. And sometimes I do.

I usually have to leave out one or two rhythms, because a few of them get in the pocket. Got to let those go longer, right? As I mentioned, if a rhythm train wrecks, I just say, "Opps, my fault." Joke about it, laugh, and start another rhythm out. Or, stall a bit, and see if someone else starts one up. (We call that noodling.)These kinds of things set a tone that's it's fun, casual, and not all serious.

Many times the vibe takes me in another direction as far as rhythms to suggest, but the list gives me a good outline. There are many different ways to facilitate drum circles, this is just how I approach them. No games, no activities, just make music. The better it sounds, the better it feels.

I hope some of this is of help to you. If you REALLY liked it, please pick up my 101 rhythms DVD or book, “A Practical Guide To Hand Drumming And Drum Circles”. $8 on Amazon Kindle. It is in the book share program, so you can share it with friends like we do with drums at drum circles. Shannon - drumcircles.net