Resources for drum circles. Rhythms, ideas, and suggestions for drummers, facilitators, and teachers. Thanks for helping to support independent artists.
I went to my first drum circle in the summer of 1977 at Birch State Park in Fort Lauderdale, FL. I didn’t know it yet, but I was about to be hooked on it right then and there for life. I had no idea that drum circle I ran into would change my life so profoundly and in so many different ways, and that I would go on to bring so much healing, and joy to so many people, and even enrich their lives through hand drumming.
So there I was this one day, slowly driving down this long one way trail of the park, just wanting to get away from it all, and a little time and space away from the routine of cement, and city life. Just see some trees, the water, and nature. To give myself a little break from the traffic, and chaos of the city life for a little while.
Anyway, in this park, there were these little picnic clearings about every 1/4 mile or so along the trail surrounded by all this lush green tropical foliage. It was relaxing to take a break there, a place for me to get away from it all for a little while. At one of these clearings, I slowed and saw this circle of about 20 people all sitting around playing these hand drums together. Mostly hand drums, Congas, Bongos, and all kinds of other percussion instruments. I turned down my car radio when I heard it, and listened a little. Man, it was cool. The sound of all the drumming was so captivating, that I pulled over and kind of tentatively wandered over there. I couldn't help it. I just smiled and listened, enjoying the Samba rhythm they were playing. It had all these different layers, textures, and dimensions. And it was only hand drums, and it sounded so good. It was like nothing I had ever seen before. It wasn’t like playing in a band is like, they were all improvising, having a good time, playing what they were feeling, and letting it go wherever it took them.
While I had played in the high school marching band drum line, and various night club bands, it was nothing like this. It was drawing me in closer and closer, the improvising, and drum beat almost calling to me. They were having what looked like a private picnic, so I didn’t want to interrupt them. I didn’t know who they were, they all looked to be of Latin decent to me. As it turned out they were all Puerto Rican, and only spoke a few bits and pieces of English. And I spoke only a little Spanish.
There were kids, adults, elders, males, and females. All of them were playing together and having a great time. I was standing there trying to figure out some kind of a polite way to ask if I could join in. But before I could, the rhythm ended, and they all applauded each other. It was obvious they weren’t performing for anyone, just for themselves. How cool is this, I thought. They motioned for me to come on over with gestures, and indicated that I could join in if I wanted to.
Boy, did I! I beamed a huge smile, and hopped on some Congas and proceeded to hang out and jam with them for hours, playing mostly Latin rhythms. They welcomed me, invited me to break bread with them, and treated me like family, and I really appreciated that. It meant a lot to me. Even though we spoke different languages, and couldn’t really verbally understand each other, we were able to communicate through the music. The language barrier didn’t seem to matter. That day gave me a whole new perspective on life, and a new found respect for different cultures I knew nothing about. It showed me for the first time, how to bridge the cultural gap. It was only after I had some time home later that night to reflect on all this. It was an epiphany of sorts.
I usually drove through there on the weekends, but I never did see that particular group again, they affected me profoundly in so many ways. I think they were just there on vacation, but they were the ones who started me on my drum circle path. Ever since then I would seek out and attend drum circles whenever I could - wherever I ended up living. In an instant I had become a drum circle lover. Most of the drum circles back in those days were held on weekends, outdoors in parks and on the beaches. They were all mostly freestyle drum circles with no leader, facilitator, or core group. It was just an organic bunch of people hanging out, improvising, and playing. Whoever wanted to start out the next rhythm would do so, and if it took off, away it went. I had to unlearn a lot of my musical training because it was so stiff and regimented. Just to loosen up and let the rhythm move me took some time.
Fast forward to the present, a lot of people think a drum circle is just a bunch of banging noise with no real discernible beat to it. Well, guess what? Sometimes that’s exactly what it is. A lot of banging noise. Especially at outdoor open community drum circles. Sometimes there is no musicality present at all. It feels better if it sounds good. But at that very same place, the next week, it can be a group made up of mostly the same people, but this time it is some quality music with real performance level musicianship. You never know.
The kind of musical pieces like I described earlier, that simply captivate you and draw you into it. A drum circle where the people are all listening to each other, taking turns leading, even passing it around so everyone gets a chance to start out a rhythm if they want to. All these people have come together as a group with a real synergy to it. Some of the absolute very best drum circles I have ever been to were just free style drum circles out on the beach. And, some of the crappiest ones also. That’s part of the fun. The unpredictability of it. You don’t know what it will be like until you get there. Will it be magical this week?
My website started in 1999. It used to be: drumcircles.net where I ran and updated the drum circle finder worldwide. I ran it for 20 years, and last year passed it on to a younger person. Now, I just pointed the website to my blog. There is a FB group I started many years ago called Drum Circle Locator. The mod I passed it on to does a great job, and it gets a lot of traffic with tons of good info. A great place to promote your drum circle in real time. It has close to 10,000 members.
If you would like to read more about my drum circle adventures, learnings, and experiences working with specific groups, please check out my drum circle book on Kindle, 300 pages for just $8. It would help me out a little also. "A Practical Guide to Hand Drumming and Drum Circles".
If you're making a film - video game, or any other project? A live drum circle track in the background might be just the vibe you need.
Check out some of my music on iTunes Spotify SoundCloud or CDBaby.com and listen to a few. There's a wide variety of cultures, styles, and tempos to choose from.
All of my drum circle music tracks are copyrighted, and licensed.
Around the country many night clubs, bars, venues, community centers, and coffee shops are struggling to find working formulas for weeknights. Having a drum circle night quickly builds up a community around it with a loyal following that grows very quickly as well. The cost to do this is minimal, I've been doing this successfully for years at various venues. What's really needed is a kit of hand drums, assorted percussion items, an organizer to help keep things running smoothly, and promote the drum circle. I look for a small base pay, tips, or a percentage of sales like 10%.
Because believe me, there is a lot of work involved. Also, it isn't the drummers, musicians, or dancers that do the majority of buying your products. They will help support the venue and buy one or two, but it's the onlookers who are attracted and who will be buying most of the drinks and/or food. And it takes a few months to really get a drum circle community built up and established. I go into this in much more detail in my blog posts, and Kindle book about drum circles.
I began and hosted this Dunedin Micro Brewery drum circle every Tuesday night for 3 years. My hope was that it would become firmly established and become a fixture and continue on long after I moved out of the area. That happened, It has had a variety of hosts and facilitators since I left, but it lasted over 10 years, and that makes me very happy knowing that I started something positive in our community.
That circle became so popular, that musicians and onlookers came from all around Tampa, St. Pete, and even as far as Orlando, and Sarasota just to check out the scene, and play. It seemed like every week, we had out of town musicians show up, usually while on vacation. Some of the other nearby local clubs got angry, and tried to get it shut down at a city counsel meeting. They made claims that it was all riff-raff in there. Unfortunately for them a few of the board members were regulars at the circle and told them the real truth. It is mostly decent professional working people from all walks of life different backgrounds, and paths with demanding careers that just want to make music with new friends, be part of a fun social scene, drum out some stress and have a good time. It was culturally diverse, and it brought the community together. Who can argue against that? The merchants and other facilitators came after me though.
My hope was that after it got established, that it would be so deeply entrenched that it would be there for years to come. And much to my delight it has had different hosts, but has been going on for over a decade since it began. I wanted it to be a lasting thing, so I turned over the reins to a guy that attended regularly named K. James. He filled in for me as the facilitator a
few times a year, so he was the best suited for the job. I gave him, and the bar manager my two weeks notice, and sadly said goodbye to the brewery. I'm happy it had the staying power.
Here's a little history on the brewery circle, & some general info on drum circles at casual drinking establishments.
While in Florida, I got the idea to start my own drum circle in 2005. I was looking for an indoor venue somewhere that was air conditioned. I liked drumming to the sunset at the beach, but the summers there are very hot, and the sand gets all up in your drums. I tried approaching a few night clubs and bars with the idea, but no success. Everyone I spoke with said it would never work, and many drummers said that trying to facilitate a drum circle at a place that serves alcohol is crazy. It is do-able.
I went to a local craft brewery now and then. I loved the vibe of the place. I noticed that Tuesday was their slowest night of the week. So having a drum circle seemed like a good alternative to the Tuesday chess and techno music night that was going on at the time. I stopped in one afternoon and pitched the idea to the bar manager.
He was reluctant at first, but after persisting with the idea for a few weeks, he agreed to try it out.
He held a grudge, because I came up with a working formula for their slowest night, Tuesdays. I heard he was sacked 6 months after I left. Otherwise, I would probably still be there.
A lot of other jobs came my way because it was a weekly gig, and many people attended. Events, weddings, even Earth Day Festivals.
The condition at the brewery was that I would receive no pay unless they turned a profit in two weeks. It was a risky venture because of the drinking, and possible damage to my drums, but it worked. Within a month, the word had spread around, the place was packed, it was hopping, busy and jamming. (Finally a paycheck)
My formula was similar to that of an open mic night. I invited local drummers, band members, drum makers, teachers, and instructors to come attend. In return for jamming with us, they could promote their items, shows, classes and workshops. I did the same with bellydancing studios. The key to it was making it fun, and accessible to everyone so they would want to come back. Variety was the thing. The rhythms needed to be challenging and interesting for the experienced musicians, but also not so complex that the beginners didn't feel lost.
I was delighted this turned into a scene that was so culturally diverse, attracting people from all different cultures and backgrounds.
An easy way to do that, is playing rhythms from different cultures. Up tempo Latin and African rhythms, as well as slower Native American, Bellydance, R & B Groove, and improvisation. That way, the variety keeps everyone wanting to come back next week. Some drum circles can fall into this pattern of playing the same default beat most of the time. That gets a little boring and frustrating for everybody.
The local drum circle took off right from the start. Like I mentioned, attracting musicians so they would come in and jam, and not charging a fee or cover at the door is what made it work. We just used the honor system to get people in. They wanted to support it and promote it, and it worked.
Most musicians, (including myself) don't like to pay a cover charge or a fee to get in. Especially with drum circles. But they will buy a beer, soda, or food once they are in there, and network to their friends.
It was a bit of a challenge to host an on going drum circle at a casual drinking establishment, but the vibe was always good, people had a blast, and the musicianship was even better.
Three hours would go by like it was just one. I noticed right away that almost all the locals would drink in moderation, so it never really became an issue. Most musicians don't want to get hammered and play. But sometimes, things do get damaged, and that needs to be factored in.
Another venue: Drum Circle at the Comedy Club
Unfortunately, the Coconuts Clearwater drum circle on Gulf To Bay closed. Another casualty of the economy it seems.
Many of us have fond memories playing there. We packed the place every week. We celebrated many holidays and special events, and even beautiful things like the birth of a child Gabriela Gaia by a couple in our group who fell in love at our drum circle and later got married. I think that's kind of romantic.
But sometimes sad things have to be addressed on drum circle night. A musician friend of ours suddenly passed away, so we held a drum circle wake for him at Coconuts to honor his memory. I made a tribute page for him. I hope it is still out there.
There is increasing recognition of the health benefits of music therapy, particularly facilitated hand drumming.
Unfortunately, places where the people who benefit from what I do the most, have very limited budgets.
I've never received any grants, or funding. I don't endorse drum companies, or their offshoots. In fact, they have been mad at me for years because I offer a low cost alternative to their expensive methods, and approach to facilitating drum circles.
Since I was deemed non essential two years ago, things have been tough for an independent musician like myself. if you are able to make a purchase of any amount to help me continue to provide therapeutic music to groups, it would help out a little.
I'm not a book or video machine. I offer just one book, one video, and some live drum circle jam music. That's it. My 101 Drum Circle Rhythms video is on Amazon. Over 2 hours of them. The full download is $8.
You can read the first few chapters of my book, "A Practical Guide to Hand Drumming and Drum Circles" free at Amazon. To find my Kindle book, or my Downloadable 101 rhythms, just search on the title. 101 Drum Circle Rhythms (The DVD disc is a few bucks more.)
Thanks in advance if you can pitch in a little. My book, and rhythms video are solid if you are facilitating drum circles, or thinking about starting one up for your area, or group. Thanks for reading this far, Happy Drumming!
Information on facilitated drum circles for all ages, groups, and venues. Parties, events, and churches, to seniors, special needs groups, kids, schools, and the general public. If hand drums and percussion instruments are provided, all you need is a heartbeat, and some chairs. If you can text, you can learn to play drum circle rhythms. (Even if you're one of those people that think they don't have rhythm.)
I teach beginner to intermediate djembe or doumbek lessons by the hour for $40. (Reasonable rates!) A few pointers on hand technique, we start out a few rhythms and away we go. Use your drum, or I provide a few. It can be just a drumming lesson, a jam session, or both. (Adding an additional person is $10 more.) If you want drum circle facilitation lessons, I offer that as well. I can combine the two if you like.
Visit the other styles of drum circles for various groups by checking out my home page at drumcircles.net. It has ideas and suggestions for drum circles with kids, adults, seniors, special needs, spiritual, healing, team building, clubs, pubs, and more.
Below are printable some lists of various drum circle rhythms I enjoy playing, and various ways to read - teach drum music, get rhythms started and lots more. It's my interpretation of them, and it's free. Read and/or print them out if you want to. There's a few different ways I like to notate, and/or and vocalize the start of a drum circle rhythm. I enjoy helping people to have more fun drumming. The list might make a good guideline, set list, or just some fun stuff for you and your friends to use. Check both of them out. About 4 and 7 pages each, Microsoft Word document.
Printable - Various Ways to Read, Notate, and Teach Drum Music (Printable Word.doc)
Printable - Longer List Of Notated Drum Circle Rhythms and Set List (Printable Word.doc)
The intent of my page is to offer facilitated drum circles, but also to share ideas and suggestions for others. Briefly put, drum circle facilitation by me is taking a group of people who (mostly) have never touched a drum before in their lives, and I make a band out of them. They all discover they can indeed make music, and in the process even overcome inner social fears. We make up spontaneous rhythms, as well as play various culturally specific rhythms from around the world, all done by using only musical cues. It is very organic, and every drum circle is different depending on the group’s dynamic. I hope my page helps you to enjoy drumming more.
I facilitate drum circles, but I'm also available to work as a percussionist for band gigs, as a performer with singer songwriters, or as a solo percussionist for just about anything. From belly dancers, fire spinners, weddings, spiritual gatherings, yoga, spoken word, and teaching, or just about anything where you need a drummer. I'm open to last minute fill ins, and requests, as I can rely on classical training and experience to pick up music, and rhythms by ear
When Inquiring About Having A Facilitated Drum Circle, please provide some of the particulars, and what you have in mind: such as the amount of time, type of organization, location, approx. amount of people, and any specific requirements. There’s an average pricing list and rates I’ve compiled over the years from around the country at my website also so you don’t get overcharged.
I don't really get into selling drums, nor do I endorse any drum manufactures, companies, or have sponsored ads. If you're looking to buy a drum, it's important to find the one that's right for you. I am always happy to offer an opinion, or suggest a few places I've bought some of mine from. If you are new to drumming, choosing a 1st drum can be a bit confusing.
At my blog, Drum Circle Blog at blogspot.com I go into this in more detail. Please look for the post, "Choosing That First Drum To Buy". If you are looking to start a drum circle. or get into drum circle facilitating, check out my post on a few ways to get free drum circle facilitation training. Even if you have never touched a drum before, and want to start a drum circle up just for fun, it should help get you started. The way things are these days, not everyone can afford to get training, or leave the area they live in. Running a drum circle is something you can learn to do. I hope my posts help you along with your drumming journey, and I'm here if you ever need to ask a question.
Can you drum even if you have never played one before, and think you have no rhythm at all? The answer is Yes. In a matter of a few minutes, you can be playing drum rhythms, & making some beautiful music with your hands. The nice thing about drumming, is you can begin at any age and still have fun with it. And best of all, you only have to buy a drum once, and it will last you forever if you take care of it. All most people need is one lesson, and they are off and drumming. You can enjoy drumming alone or with friends. Playing a drum feels good if you are happy or down.
I have had people tell me that they are under the impression that drum circle facilitators have to be certified. Okay, doctors, dentists, lawyers, yes. I wouldn't want to use one that hadn't gone through the process of accreditation and/or licensing. But, facilitators don't have any kind of official governing body. Anyone can decide to teach, hold workshops, etc. and then give out a certificate. But, all it means is that the person spent some money on training in one style of facilitation. Like in any other field, some are better than others. Is certification necessary to facilitate drum circles? Are there specific protocols that need to be followed? Is there a universally accepted accreditation process?
Some would like to think so, but no. Do some of them help, are some of them good? Yes. You can learn a few things, but most of them are expensive, and go on for weeks. Their logo looks good on your resume, and sure it adds some credibility to you. Most of them cost a lot also. Do you need certification by someone to work and earn a living? No. Individuals and companies both offer their own brand of facilitation. One isn't necessarily better than another, some are promoted more, and widely known than others. Practically speaking even if you are a newcomer you can buy a few books on the subject, watch a few videos, and get out there and host a drum circle just fine. I think you can learn the most just by doing, and going to some drum circles. Go out and watch, then participate, have some fun, and observe what the other facilitators do, and how they do it.
My 2 Hour 101 Drum Circle Rhythms DVD
An effective way to keep a drumming program, or drum circle interesting, is to have a wide variety of rhythms to draw from. My 2 hour DVD of 120 hand drum rhythms makes ideal reference material. At my website it's $10 and includes a free drum circle jam CD. It’s a few bucks more on Amazon or Ebay.
The 120 rhythms are also on 2 audio CD's for $10. The link is below for both of them. They are also available in mp3 format at most online retailers such as CDbaby for $10, as well as iTunes, Amazon, Spotify, and most others.
More on facilitating drum circles, or having a drumming program.
Natural rhythm flows within us all. Our hearts beat to a rhythm, we walk to a rhythm, many aspects of our daily lives are done to a rhythm. You even make love to a rhythm, (hopefully). Whenever we hear drumming, we begin to move to the universal rhythm inside us all. The drum can connect your heart to your hands, and all of a sudden you are improvising, and talking with a drum. We become the instrument, the drum becomes our voice. With drum circles we connect beyond the music being played. The nice thing about drumming is that anyone, no matter how old they are, can sit right down and have fun jamming on a drum with other people.
To briefly describe drum circle facilitation by me, it's putting a bunch of people together and making music. It's fun to play like a kid again for a day. Friends, strangers, co-workers, beginners, or even with pros...
I like to begin a drumming session by letting everyone just choose something, sit down in the circle, and start playing. This approach helps everyone to relax before the formal welcome, introductions, and then into organized rhythms. The reason I encourage everyone to play first is the nerves, and the barriers just begin to melt away. Later as the rhythms join together, everyone joins together. We join together musically. The result is there is no distinction between you or me. We just all sense the feeling of the one song we are creating in the moment. This was the tried and true approach of the elders who would begin their gatherings, and ceremonies in this fashion. They've been drumming that way for over 5000 years, so you kind of have to figure it's cool, right?
I think ideally, a fun drum circle is a bunch of drums, and then a good jam session. The emphasis with me is on having a good time. I believe in not telling people how, when, or what to play, ever. I like to focus more on self discovery. I provide the tools for you to figure out the task. Here's some of them for you to do it with:
The thing some don't get about drum circles, is that it's more about the people, than it is the drumming. Many facilitators agree with me on this, some don't. The quality of the music produced in a drum circle isn't really based on the musical experience of the players, but on the developing quality of the relationships of the people that emerge. As a facilitator I help people to empower themselves through drumming, music, and fun. They need no experience at all to play in a drum circle. I encourage individual creativity, and group dynamics. I do 90% of my facilitating through the music. It's an art form that takes years to develop.
My E-book, "A Practical Guide To Hand Drumming And Drum Circles" - $8 on Kindle or Nook
If your desire is to get much more in depth with this, please consider picking up my book. It goes into starting a drum circle, or drumming program, and how to keep it fresh and interesting for all different kinds of groups. I cover all of that, and much more in great detail. The page link for it is below. It's in the Kindle book share program so you can share it with some friends.
Small Business, Team Building Or Company Drum Circles?
It's becoming a more and more common idea. Host a drum circle for your business, company, or group of friends.
Drum circles are an excellent activity for any group, and for all ages. But especially as a tool for team building. Letting people express themselves through drumming and then seeing how that can build to a musical performance is at the heart of team effort. Learning to let go of self involvement in order to synchronize with others is the essence.
Not everyone can or will play the drums the same way, just as they don't do their jobs exactly the same way. And those slight differences, if done from each person's strengths, are what make the musical result magical. People learn that playing/working together is something that is its own reward because the results are beyond what any individual can do.
Drum circles can be extremely effective for companies that want to enhance the generation of new ideas and better team work. When people discover that they can collectively produce a good sound without any musical training or background, they start to realize that they can be more effective at work by putting their heads together and working as a team.
Also, drumming uses the brain in a different pattern than the linear thought process that is usually needed in the work environment. For example, when suggesting a drum circle rhythm, I like to vocalize the first few measures before we play it. The logical analytical side of the brain can process it quicker, which then frees up the creative intuitive side. People can then play what they feel, rather than over thinking it.
A drum circle brings the group to a more open mental and psychological process, which can be carried over to the production of new and better ways of working. An excellent tool to kick off any kind of brainstorming session and optimize the quantity and quality of new ideas. In other words, your team improvises and is more creative.
Click the link below for more detailed information on having a corporate, company, or a small business drum circle. Please keep in mind that an assistant needs to be hired for larger groups, and that costs more.
A drum circle is a rhythm based experience where a variety of world percussion hand drums from different cultures are brought together. Ethnic drumming rhythms from many different parts of the world are explored. That's part of the beauty of it. The Rhythms change, evolve and morph in a magical unpredictable way. The result is spontaneous, beautiful music created by everyone involved. It's a musical event that everyone can participate in. It's a place for everyone to express themselves with drums, and other percussion instruments. The level of experience doesn’t matter. A person can participate fully, and freely, with no skill or technique at all.
Drumming Outdoors...
Whenever it's possible, I like to host drum circles outdoors connected with nature. Nature has a natural rhythm to it, and so do we. Hand drumming brings us back to that fundamental rhythm of nature. I can help you, or your group to host a drum circle anywhere - indoors or outside.
More About Drumming And Drum Circles...
The phrase "drum circle" is a rather broad term. It can mean a variety of things to different people. Interestingly, drum circles are never the same, even with the same group. It is always fresh, enlightening, and it's an exciting event for entire families. Here is an activity where parents and their children can do something fun together. Teens can be doing something cool - yet positive. People with disabilities can just be one of the guys at the drum circle. The feelings of fun and euphoria are hard to describe when the group dynamic is created. It only takes about ten or fifteen minutes to start happening. Drum circles are fun! They combine recreation, with therapeutic music. I feel what works the best, is to bridge the gap between the facilitated drum circles, and the more open freestyle community drum circles. I bring you the best of both worlds. This allows individuals to experience self discovery and musicality at their own pace. Then the whole experience is much more meaningful to them, and even more effective.
Very little is planned in advance except maybe a list of rhythms to suggest. All the rest is improvised on the spot. Most of the "facilitating" can be done through the music. I believe that is the best way to do it. The musical communication, supporting of the beat, and ending points to a jam, are usually done with the drumming. Sometimes even transition points in the drumming just naturally occur. The recognizing, and supporting the group's expression is a key element, because, since drum circles are so organic in nature, that to an onlooker, there are times that look like absolute chaos is going on...but it's an organized chaos. It levels out into a group song, and it uniquely theirs. They created it. Usually there is a transition point, or a time to just move on to a new rhythm. It takes time to trust in the natural process of creating a group vibe. A lot of people WANT there to be lots of rules, true in business world, true in art world, so it's not surprising to find it here in the drumming world.
Let the rhythm move you.
So to try and sum up the difference: In my opinion, a freestyle or lightly facilitated drum circle is more open, improvised, and more spontaneous. Interactive drumming is more planned, structured, and directed - a little heavier in the facilitation department. It's mainly facilitated with everyone focused on following the leader's instructions. I think as soon as you start to present rhythm games or activities, it's no longer a drum circle but, an interactive drumming thing. And that's ok and all. But people are now following instructions, and doing a more structured activity other than improv. I think a little of both of these styles makes it the most enjoyable drum circle experience overall.
One way to get established is to be visible in your community. Get a weekly circle started at a cafe, night club, new age shop, comedy clubs, museums, yoga groups, and recreation art centers. At city parks, even at the beach. Try to get any venue you can think of.
A weekly circle is better than monthly, because people tend to forget what week it is being held. You may only make $100 a circle, a commission, tips, or even need to do it for free, but it will give you a home base, plus you will be doing something positive for your community. It may take 4 or 5 circles to get things rolling, but once you do, medical professionals, event planners, and even the media will eventually find you. That leads to higher paying gigs. You might even get jobs working for your city, or county at festivals, etc. Also, visit your local chamber of commerce, and/or arts center to see if they can be of any help.
Another way many facilitators earn a decent living is to approach your city, county, state arts council. Depending on the city you live in, they can possibly hook you up with city events, festivals, art shows, and even get work in the school system. If another drum circle facilitator gets to your arts council before you, that can be a problem.
Some end up getting non profit corporations going. They get donations from local businesses, and make a nice living that way. Some medical, special needs facilities, and schools can apply for grants to help you to fund your work, but you may have to work for free for awhile in order to prove yourself first. Try things like your chamber of commerce, arts centers, and etc. Try to put together a professional looking press pack, and be creative in thought. Follow up in a couple weeks. Many gigs take 2 or 3 tries. Not everyone knows what a drum circle is, or can do to help people.
And The Beat Goes On...Boom ShaKa La Ka
The techniques and skills needed to host a drum circle for a particular group can be taught, if you want them. And that is one of the key things I like to do when I'm hired to host a drum circle for you. I can show you and the staff how to continue the process on your own when you feel you are ready to take over. It's not necessary to have any musical training in order to learn the essential basics, although those who have a musical background do have an edge. I do this at no cost beyond what I am being paid to facilitate a drum circle. Drum circles need to be customized sometimes, to fit the particular needs of the people, or group it's being held for.
I've worked with everything from highly professional musicians, to adults and children with mental or physical restrictions. And, each individual group needs a slightly different approach, since everyone has their own skills, limitations, and quirks. It can take anywhere from just a single drum circle to as many as four to work out the ideal approach for a specific group. However, I never require any kind of contract beyond a single day at a time.
In addition to demonstrating how to host a drum circle by my doing it, I am happy to spend some time with the staff to answer questions and help them to work out their own way of facilitating for their own group as soon as possible. I provide drum rhythms CD's - DVDs and drumming rhythms notations as reference material, free of charge. I'm also happy to share with you the various places I buy my drums from. Different types of drums work for different types of people.
It doesn't matter whether or not the music itself sounds good, although it usually does. What matters is letting the participants know they can just be themselves and find their own inner rhythms. By letting people discover themselves, and knowing they have the freedom to make mistakes, takes them on a journey where I only act as a sort of a tour guide, and they find that feeling of safety from being in a community made up of the other drummers. I help to provide that by being constantly tuned in to the group and the individuals, so they can have a good time. Helping someone who says, " I have no rhythm " to find their own inner sense of rhythm takes very little guidance and can be done spontaneously right in the middle of an ongoing beat. You can see the light turn on in their face.
A fun idea is to get some hula hoops, and add hula hooping or dance to your drum circle for something to connect to.
Drum circles are great for seniors, and spiritual gatherings. Try laying down with your eyes closed for a minute in the center of the circle, and feel the energy. The beauty of drum circles is that they bring people from all paths together. I love to celebrate my spirituality by being around the positive energy of them.
Hand drumming is fun, rewarding, and can be therapeutic for everyone. From kids to elders. I am also available for private hand drumming lessons in person, in the Saint Louis area. It's even a great way to add music education for those who home school. From beginner to intermediate. All ages. $40 for an hour, no minimum, and personalized lessons. I provide the drums, (or use yours) and will travel to you, or can come over to my studio. Please email me for more info.
The Earth Day Drum Circle at Honeymoon Island
This drum circle event was a blend of local musicians, the general community, and a special needs group. A key part of the intent of groups that are oriented toward those with physical and/or mental restrictions is finding ways to bring them into general society as much as possible. It has been my experience that drum circles are an excellent path to this goal. The guiding of a special needs group in our community led to exactly that, a two hour performance on a big stage in front of 100's of people, where they were wildly applauded, appreciated, and sounded great. It was a proud moment for them, and for me. I believe that real personal growth comes from the inner expression of each individual, and their self discovery. The photos speak for themselves.
I believe in seeing abilities in people, not disabilities. Click below for more photos, and a video set to drum circle audio.
A drum circle is hardly ever a professional ensemble playing prepared music, or a drumming class. It’s a unique event that is created by just a hodge podge of real people, preferably with the help of a host, or facilitator, who acts as a musical guide to make it easier for the group to achieve it’s goal. I don't want you to be a drummer. I just want you to be able to enjoy drumming.
For me, this is about taking the gift of music that God gave me and sharing it with other people. One of the beautiful things about drum circles and drumming together, is that it can bring people from all different paths together, and even learn to respect each others faith. I love to celebrate my spirituality by being around the positive energy of drum circles. Drumming brings a certain beauty into the world. And I believe I was put on this earth to share that gift. A life is not measured by what we have, but what we give.
A little history on hand drumming. It dates back 1000's of years.
Community drumming has been an ancient musical tradition for 1000’s of years in almost every part of the world. Drum playing is probably as old as intelligent man. Cavemen probably jammed on wooden logs. The idea of banging on something to make noise is second nature to us. As for me, my parents got me my first drum so I would stop making drums out of things in the kitchen.
As far as I could tell, the oldest recorded drum discovery is from 6000 BC excavated from a Neolithic Era archeological dig. Small drums used for ceremonies have been found in Egyptian tombs. See that? King Tut was probably jamming out. Many caves in Peru contain wall carvings depicting drums in various aspects of societal life. Indian drums from the Middle East are as old as 5000 BC, and Mesopotamian ruins have yielded cylindrical drums as old as 3000 BC. Native American Indians have a rich history with drums made of gourds, and wood for celebrations, ceremonies, and music. Many of the same styles of these drums are still used to this day.
Drums and percussion were the first musical tools people made for use in group music. Drumming was used for a variety of purposes, including communication. In Africa for example, drumming was not just a form of music, it was used as a speech. A rhythmic pattern of beats played a certain way could communicate a variety of information. Drums were used for things such as a language to communicate, for fertility, new birth, healing, grieving, emotional release, various types of ceremonies, and building communities.
What's My Role As A Drum Circle Host Or Facilitator?
I facilitate the drum circle, and provide all the necessary drums and other smaller instruments for you. All we need is some chairs, and shade. My fee is for the cost of the equipment, wear and tear, and the hauling of all the drums. The playing part I pretty much do for free. Because I love doing this. It's that simple. I was hoping I had you sold on the idea by now, but here it is again in a little bit more detail. Some people think the drums just magically appear, and they can play them.
Trust me, they don't, and they are expensive. I provide the drums for you, and I create a welcoming, enjoyable atmosphere that helps everyone to make music together. Or simply put, to help make it easy for everyone to enjoy creating a group musical song.
I’m there to help guide and make it easier to participate, not to manipulate. I’m trained to help everyone feel comfortable in the group setting, and act as a rhythm starter when needed. Then everyone begins to experience their own creativity, fun, and excitement as they begin to improvise on the support rhythm. After a brief warm up, and demonstration of some basic hand technique, a variety of easy to play along rhythms from various cultures are explored, including our own.
The chairs are arranged in concentric circles, with an arrangement of professional level drums for people to choose from. I believe everyone should experience the real thing in a musical instrument. Especially someone new to drumming. There are huge differences in sound. You can't experience the full range of sound, tones, and enjoyment on a poorly made drum. Cheap drums, give you cheap sounds. I want people to sound as good as they possibly can.
Understanding Notated Drum Circle Rhythms and Suggesting A Drum Beat To Start Drummers
There's a variety of different ways I like to use to notate a drum rhythm. It's really a matter of personal preference, and what ever you find the easiest for you to use. Here's some various ways I've seen to notate a drum rhythm. Using one of these methods, you can quickly and clearly transcribe a drum rhythm to save it for another day.
The accented strokes, (or slaps) are all in caps. Most rhythms at drum circles are in 4/4 time, or 6/8 time.
Here's an example with the basic "Fanga" drum rhythm in 4/4 time notated a few different ways:
Gun go-do-go Gun-Dun go-Do (Also, pa & ta are used in some rhythms.)
(As far as I know, a style taught by Babatunde Olatunji. Probably the most common, and well known method.)
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Doum tek-ka-tek Doum-Doum tek-Ka (Middle Eastern style)
(or in shorthand = D t-k-t D-D t-K)
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Boom chickaChick Boom-Boom chicKa
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B o-o-o B-B o-O
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Bass=B, Slap=S, Rim Shot=R, Open Tone=O, Closed Tone=C, Muffled Bass=M (I don't use this one very much)
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If it's dark, and I'm in a hurry, which is usually the case: I use Morse Code _ ... __..
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I've seen some others use this method: R l-r-l R-L r-L
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Or, very basic: B= bass tone, T= tone note, S= slap note, lower case letter for softer tones.
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Jazz scatting - Just write down what it sounds like.
Boom sha-ka-la Boom-Boom sha-Ka, or Ba-Dum BaDay Ba-Dum BaDum, etc. Maybe even make up your own method.
When I'm suggesting a rhythm to play. I like to vocalize the first few bars of it before I begin playing it, and I start it out very slowly, then I can gradually bring it up to the desired tempo (speed) once they are comfortable with it. I always mention that this is just a starting point, and you don't have to play this support rhythm, play whatever you feel fits.
Interestingly, I've found that most people can wrap their heads around it quicker if I vocalize sounds with a "K" in them.
ie: Boom chicka-boom Chick. Or, Doum tekka-doum Tek. Or, I just "scat" them out jazz style any way I can think of.
Another idea is drumming to common word phrases, rhymes or well known commercial jingles to get things rolling.
ie: "Yum, Yum, tastes like chic-ken" (D, D, t k t-k) or try "pep-per-oni-Piz-Za" (t-k-t-k D D) 2 bass, 4 tones.
When I'm working with beginners I like to use this style, and explain the different sounds like this:
Doum (D) – Right hand, clear, low tone, (from center of drum – like you’re bouncing a basketball, or on a trampoline)
Tek (t) & Ka (k) – Right & Left hand, crisp high tone (sharply striking the edge of the drum head) I've heard some say to pretend like you are hitting the bottom of a hot frying pan or stove burner. I don't like to say that, because right away, it associates drumming with pain. That's not something I want to do, especially with beginners.
Tek (T) - is usually played with the dominant hand. Reverse hands if you are left-handed, like me. The accented strokes (or slaps) are in caps.
I hope this helps you to notate rhythms a little faster, and makes it a little easier to suggest rhythms to your group.
More On Hand Drumming, Drum Circle Advice, And Opinions
I do have a 300 page book for sale on these subjects. It would help out if you bought it from me, but I'm happy to offer any advice, or give my opinion, and answer questions on anything hand drumming, or drum circle related.
I teach 1 on 1 hand drumming lessons a lot. I think more important than the lessons, is finding the right drum for yourself. One that's right for your hands, for your body, and your soul. I heard someone else say, "You need to find that soulmate drum." That is so right. Many of us buy drums for years before finding it. No matter what your musical skill level is, 90% of the people I work with only actually need one drumming lesson to get them started and off on their drumming journey. But it's more important that they find the proper drum that is right for them. Different styles of drums work for different kinds of people. There is one out there that's right for you, or someone you know. I am more than happy to give you my opinion on what might be the right drum for you. My DVD or CD of rhythms is an ideal resource to practice with. Then it's off to the drum circle where you get the very best drumming lessons. Just learn from watching what the others do. That's how many of us got started.
If you live out of the St. Louis area, and need some advice, suggestions, ideas, or anything at all about hosting any form of drum circle, I am more than happy to try and help you along. I like to try and give back a little, and help anyone in the drumming community. If you look around my site, you will find lots of ideas and helpful information. Even if you aren't sure what kind of drum might be right for you, or your group, just email me and I will try to help you along. I don't sell many drums, but I do have years of experience with most major brands, styles, and retailers. I can recommend the places to you that I buy mine from. If you are wanting to host or facilitate drum circles, I think this art form has evolved a lot in the last ten years alone. All art forms can be very subjective. There used to be only one or two recognized accepted ways to facilitate drum circles. Now there are dozens of styles all around the world, because this is an ever evolving art form.
My Biography
I've been a performing artist for most of my life. I've been playing the drums since 1968. My love for drumming started as an outlet for childhood hyperactivity, and I went on to be the lead snare drummer in the school marching band, then the percussionist in a symphony.
After moving to Florida in 1975, I played percussion in various bands and orchestras,
toured and recorded with a number of them, plus worked as a session musician.
I also started my acting career while in Florida. I moved to New York briefly, then on to Los Angeles, where, for 15 years, I worked as a musician, and a character actor. I appeared in a number of TV shows, films, and commercials. I was also a frequent guest performer on "The Tonight Show With Jay Leno" for 8 seasons. I'm a member of AFTRA/SAG, the two major performing arts unions.
I've been attending and facilitating drum circles for over 30 years. I think it helps to keep me sane. I've facilitated drumming events for the U.S. ARMY Chief Of Chaplains Religious Education Conference, Music Festivals, County State Fairs, The Florida Festivals & Events Association's Convention Trade Show, as well as many other major groups and companies, including OSI Restaurant Partners, Outback, on over to smaller groups, such as churches, college sorority reunions, weddings, and special needs groups. I was also a faculty member who taught drumming at The Dunedin Fine Arts Center.
I have trained with a number of highly respected hand drumming instructors. My drum circle hosting, and facilitation style is influenced by what I've learned from various top rated drummers, and drum circle facilitators, including Bill Summers, Babatunde Olatunji, Christine Stevens, Kalani, Jim Greiner, Arthur Hull, and Jim Donovan. But mostly by just attending lots of drum circles, learning by doing, watching and working with others.
If you have never been to a drum circle, just go. It's the best way to learn drumming. Watch, listen, and play along to the regulars. You showed up so everyone figures you are cool. Nobody really cares how good you are, unless you touch somebody else's drum without asking first.
Please note that as of 2013, I'm no longer in Florida. I live in St. Louis, Missouri now.
My mission statement is: To help people discover their own sense of rhythm, at their own pace.
I've got some ink in my blood. Both my adoptive, and biological parents were writers, so it was important to me to write a good book in their honor. I have published two books available on Kindle (both in book share). One on drumming, and drum circles. The other book is about me in the acting business. I'm also a contributing author in a few other books, and various newspapers. I've released a hand drum rhythms instructional DVD, and multiple CD's worldwide.
The title of the drumming book is, "A Practical Guide To Hand Drumming And Drum Circles". It's 300 pages of text. The Kindle or Nook E Book is $8. It is self-published, and only available for purchase new directly from me here, or on Amazon.
My website started as a drum circle article back in 1997 in the Santa Monica Outlook, LA Times, and just grew up from there. Scope out my site's global drum circle finder, and locate drum circles near you. Even just as an observer, it is an interesting social activity. Please also consider my 2 hour DVD "101 Drum Circle Rhythms".
Thanks in advance for considering my books / DVD / CD's, and for helping to support an independent artist.
Drum Circle Finder - Locate A Drum Circle Near You
Find a drum circle near you in the USA, and Worldwide with my drum circle finder. 1000's of drum circles listed around the globe. It's a free service to the drumming and dancing community. I established it back in 1999. Drum circles are becoming more popular, there's probably a few in your state. The drum circle finder is updated monthly.
USA Drum Circle Finder Link
Visit my drumcircles.net FaceBook Page:
If you are on FaceBook, my page has a variety of notated drum circle rhythms you can scroll through, and try out a few at your drum circle, or with your group. To find it, search on FaceBook for the "drumcircles.net" page, or use the link below.
Lots of Helpful hints, ideas, suggestions, stories, and drumming tips. Drum circle rhythm notations, and much more.
Some of the topics include: Choosing that first djembe drum. Improving your drum circle facilitating or hosting style on a budget. Ways to get the word out and promote your drum circle. Trying to earn a living hosting drum circles. What that first drum circle was really like. Various ways to notate, vocalize, and start a drum circle rhythm. Reading written drum music. A long list of notated rhythms to try out in different styles. Drumming Via Webcam, And With Special Needs Kids. The 3 lyric Version Of Fanga. How to start up a drum circle. The social, physical & mental benefits of drum circles. Choosing a first drum for your child, various ways to get free drum circle facilitation experience. Drumming in the Winter, and Summer. Tuning a lug tuned djembe, conga, or doumbek, and replacing a drum head. Ways to mark your drum. Finding a good doumbek drum on a budget, and ways to tell the quality of them. Tips on sitting in with bands and drumming groups, and learning to play by ear. My latest post is on special needs drum circles, and those with limitations. Plus lots more to help you enjoy drumming more. I try to post something new each month.
My 101 Drum Circle Rhythms DVD is also available as an instant download at Amazon.com ($8.)
An effective way to keep a drumming program, or drum circle interesting, is to have a wide variety of rhythms to draw from. My 2 hour hand drum rhythms video makes ideal reference material. It's $10 and includes a free drum circle jam CD. You can also pick it up at Amazon.com for a bit more. Great for your TV, iPad, tablet, or phone.
The 120 rhythms are also on 2 audio CD's for $10. The link below is for both of them. They are also available in mp3 format at most online retailers such as CDbaby for $10, as well as iTunes, Amazon, and most others.
Check out these 7 drum circle rhythms in this YouTube video. Please keep in mind that this is only 7 minutes from my two hour DVD. The DVD title is 101 Drum Circle Rhythms. Actually, there is 120 of them, but who's counting. I hope you enjoy one or two, and these help to get you in the groove. On the DVD there are lots of fun ethnic drum beats from around the world to explore, have fun with, and make them your own. Over 2 hours of them will keep you in the drumming mood for a long time. Each rhythm is about a minute long.
I do some charity work around our local area. There is some wear and tear on the musical instruments that I provide for use at these events. I don't receive any funding now or in the past. The proceeds from the sales of my drumming CD's, DVDs, and drum circle book help me to finance the repairs, and to be able to continue working for organizations with limited recreational budgets. (Who benefit from it the most.)
There is increasing recognition of the health benefits of music therapy, particularly facilitated hand drumming, which is what I do for a living. Unfortunately, places where the people who benefit the most, such as senior centers and special needs can not afford to pay for this.
As an independent artist, money is tight, so I always appreciate a product that is a good value for the cost. That's the idea behind my book, DVD, and CD's. If you choose to purchase something from me, thanks in advance for helping out with drum repairs, and expenses. (Please visit the links to see my DVD, CD's, 300 page book, "A Practical Guide To Hand Drumming And Drum Circles". $8.
"This Is Your Brain On Drums" My Interview about drum circles on AM Talk Radio
Would a board-certified neurologist really prescribe drum circles for some of his patients?
Listen to this past national AM radio syndicated broadcast of the Healthy Talk Radio Show, featuring Deborah Ray, Neurologist Doctor Hammesfahr, and myself, to find out why. It's interesting to hear his perspective on drum circles and their benefits. (It's 55 minutes long -- a 25MB mp3)
This is follow up interview number 2, taped a few months later, (posted below this one). This interview features Doctor Knaus, Doctor Hammesfahr, and myself. We discuss the benefits of theraputic drumming, and how it can bring you back to the rhythm of nature, and the earth. We also talk about the resonant frequency of the planet, the human brain, and how similar they are. It's a pretty fascinating interview. (It's 30 minutes long -- a 12MB mp3)
My Other Book About The Acting Biz, "An Actor's Face" - $3.
As I'm sure you're aware, many musicians, singers, dancers, and other artists, cross over into the acting business. My other book is titled, "An Actor's Face" - It's on Amazon Kindle for $3 and it's in the bookshare program. Have a look at my actor page, and see some of the kinds of roles you end up doing as a working actor. I got all the glamor stuff. See if the acting field is something you might want to explore. A lot of people are hurting out there these days, and it's a way to possibly supplement your income no matter where you live. Here's the Amazon link:
I hope you enjoyed your visit to my site. Please consider picking up a set of my drum rhythms, or drum circle CD's. A 2 disc set (2.5 hours) is ten bucks at most online retailers. Hours of live drum circle jams to put in your phone, mp3 player, iPod, iPad, or any other mp3 compatible device. It's some fun listening, and a pretty good deal! Here's the page link:
If you're a filmmaker or video / TV producer all of my drumming and drum circle music tracks are licensed. Check out CDBaby.com & listen to a few. There's a wide variety of cultures, styles, and tempos to choose from. Over 10 hours worth to choose from. A good drumming track helps to set that perfect mood for a scene. Here's the website url:
"I am the drum...you are the drum...we are the drum..." -- Babatunde Olatunji
"Rhythm is the soul of life. The whole universe revolves in rhythm. Everything & every human action revolves in rhythm." -- Babatunde Olatunji
"Yesterday is history. Tomorrow is a mystery. And today? Today is a gift. That's why we call it the present." -- Babatunde Olatunji
“A Drum in Every Kitchen!” -- Babatunde Olatunji
"The evocative power of the drum can be compared to the Trinity. The drum's frame comes from the trunk of a tree, and that tree has a spirit. It is not dead wood. There is also spirit in the animal skin. If there wasn't, it would not produce sound. Those, plus the spirit of the person playing become an irresistible force." -- Babatunde Olatunji
"Whether you realize it or not, we are engaging in a cultural revolution. We are bringing people from all levels of life, understanding and background together. That's the wonderful thing about drumming." -- Babatunde Olatunji
"Drumming is the simplest thing that we can do to bring us together." -- Babatunde Olatunji
"The Creator wants us to drum. He wants us to corrupt the world with drum, dance and chants. After all, we have already corrupted the world with power and greed....which hasn't gotten us anywhere - now's the time to corrupt the world with drum, dance and chants." -- Babatunde Olatunji
Got a comment, or a question about something drumming related? Email me below. I respect your privacy, and I never give email addresses out to anyone. It may take me a day or so to get back to you, but I will.
I drum with elderly populations very often. Mostly at active retirement communities, senior centers, and so on. They are always looking for something new, fun, diverse, interesting, and playful for the residents. A facilitated drum circle is all of that, and more.
The first reaction I usually get when I suggest the idea is, “I have no rhythm.” Or, “I’ve never played a musical instrument before.” If a facilitated drum circle is presented properly, in a matter of 10 minutes everyone can be playing a drum rhythm together. And from there, playing various drum rhythms from around the world. The key to it is setting the right tone that this is going to be playful and fun. You can improvise, play and just have a good time. Like we did when we were kids.
After 10 minutes you can see the joy in people’s eyes as they start to “get it” and are playing a drum rhythm for the first time. Making music is exciting, and if it’s your first time, it’s really exciting.
We play Native American rhythms, African, Latin, Belly Dance, Reggae, Blues, R&B, and a lot more. After that first 10 minutes everyone is in the groove, and no longer “Thinking about messing up” “Can I do this?”, “What if I look silly.” Etc. That all goes away, and all we think about is drumming and making music as a group. That’s the goal. A lot of playing and very little talking. A bit about hand technique, where some of the drums are from, and the rest is all drumming.
I’m there as a rhythm starter, but everyone is welcome to start out a rhythm if they want to. Usually after a half hour, people are wanting to start out their own beats. Great, we go with it because it’s all organic and spontaneous at a drum circle I facilitate.
This is how I like to get drum rhythms going: After a warm up jam, I vocalize a few measures of a rhythm, and then begin playing it. It’s easier for the brain to quickly process words, free up the mind, and then the body can play. Word association is a great way to get a drum circle rhythm going with all age groups.
For example, here’s a drum rhythm called Agilablanca. It’s in 4/4 time. (4 counts to a measure.) Rather than trying to teach it, I say: I-like-to-eat__choc-late-cake, I-like-to-eat__choc-late-cake (and repeat, etc.) (The first half of the phrase is all tones, the last half is all bass notes.) People add in the decorations, and away it goes. Sound like fun? It is. I’m available for hire in the St. Louis area by the way. My rates are reasonable.
Sometimes we try drumming out Morse Code rhythms. Ask someone to suggest 2 letters, or numbers, and put them together to make a new drum circle rhythm. _ _...._ _ A dot is a tone, and a dash, is a bass note. Sometimes they work, and sometimes they don't, that's part of the fun, exploring, and going on this journey together. (There’s a Morse Code alphabet chart at my site drumcircles.net )
A fun idea to entice movement in the center is to bring along a hula hoop. That can really ramp up the fun at your drum circle. It gives people a rhythmic motion to groove to. I was surprised when I first saw people of all different ages wanting to get in there and try it. The drum rhythm Beledi is a good one to use. In 4/4 time, it sounds like: Doum Doum tek-ka-Tek, Doum tek-ka-Tek. {One of my dancer friends said the Beledi rhythm is the "Catnip Rhythm" for belly dancers. lol. I like that.
With some groups it’s a drum circle once or twice a year for events or special occasions, with others it’s every month we do this. It’s a fun activity that no matter what physical limitations some of them may have, everyone can participate. Even those in wheelchairs, or strength in only one arm.
I like to provide drums from around the world such as djembes, congas, doumbeks, and bongos, frame drums, buffalo drums, sound shapes, and various other percussion instruments. That way, there is something for everyone to have fun with. And we play rhythms from different countries, and cultures. And you can try them all out if you like.
As far as the staff is concerned, all we really need is some chairs set up in a circle about 20 - 30 feet across. So it is a pretty low maintenance activity for them. If outdoors, some shade.
Many times, elders are more playful than kids. You don’t get many chances to just be silly and have fun with friends or acquaintances as an older adult. I am a senior myself, I got my first senior citizens discount last month, and it was kind of humiliating. I thought, should I, or shouldn’t I? It was ten bucks, so I went on with it. And I really don’t like being treated like a senior very much either. Most others I have spoken to feel the same way. It sucks to get old and feel your body growing weaker.
We can’t do the physical things we once could do anymore. But we do want to have fun, and, if possible, do things that recapture some of our youth. Just be silly, and goof off a little bit. I like to feel young again, and so do most other older adults. That’s why a facilitated drum circle works so well. Remembering the things we enjoyed in our past younger days, the music and songs we grew up on, that may mark fond memory points in our lives.
There are some limitations in movement of course. Some have severe arthritis, Parkinson’s disease, and many other things that limit the amount of movement. Some are in wheel chairs, and only have limited movement in one arm or hand. So when I work with elderly groups I try to find out as much information as I can in advance on any possible limitations that may be present. This isn’t always possible, so I like to bring a real mixed bag of drums and percussion. Lots of things they can lay in their laps and play. Or things that can be easily played with one hand. Finding the right drum for everyone they can easily play and have fun with is very important so they can get the most benefit from it, and the most healing from the drum. It’s a good idea to have about a dozen SoundShapes with the soft mallets. They are the perfect instrument for many with limited movement.
When I arrive, I try to allow extra time so I can say hello, and shake their hands and talk with everyone. I think that it’s very important to make sure everyone is aware of who I am. I want them to feel comfortable, and prepare them for some drumming fun. The hand shake also gives me a little bit of a clue as to their ability to use their hands so I can help them find the right drum to play.
After that initial (accessing the group) warm up jam, I spend a bit more time with them on good hand technique, and volume levels, because I don’t want anyone getting hurt, or feeling uncomfortable. Other than that, I pretty much facilitate the circle from the side, the same way I would any other group, except I make a little more eye contact.
I just encourage them to have fun, and experience self discovery. This can deeply affect some people, I see them get very emotional sometimes. Even tears, and crying at some points. Mostly at the end is when the emotions seem to come through. Caring and compassion is needed here obviously. Lots of times they are tears of joy, because of the self discovery process many of us go through at a drum circle.
I like to bring body style drums that can stand up solid by themselves or in stands that can then be played at a comfortable level for people sitting without having to bend over to hold it. A wood Djembe is rather hard to hold onto for some people. And you don’t want it falling over on someone else. So, I use solid self standing drums, and/or drums with stands. But some people surprise me when they want to play that big ol’ drum, and proceed to jam out on it the entire session. But for the most part, drums that weigh a lot less like aluminum Doumbeks, those PVC Djembes, and Frame drums with beaters that are easy for a person to grip are ideal.
One thing I do with mallets is wrap the handle grip with cloth to be very fat, so they are easier to hold onto for a person that might have arthritis, but still wants to play. You need to think about things that are more comfortable for them, things they can rest on their laps, or play with one hand.
Frame drums seem to be the most popular, because they can be held easily with one hand and played with a soft mallet, or just rested on their laps and played that way. Plus they are just plain fun to play. The ocean drums are very popular also, (A two sided frame drum that has a bunch of buckshot inside it. When you tilt it, it sounds like waves rolling in.) I also use those Compact Congas, and tambourines. I use lots of different sizes. Bongos are fun as well, they can just rest them on the lap and be played with one or both hands. I bring a few throw pillows to put under them for comfort. Some bongo sets are rather heavy, so I look for the polymer shell style that only weighs a couple of pounds.
For those that can’t, or would rather not, play a drum, I bring loads of different things. Maracas, shakers, guiros, rattles, claves, jingle bells, stick castanets, and real mixed bag of percussion “toys”. This way everyone has lots of choices, and can pick and choose various things as we go along. Like I mentioned, Sound shapes are always in my kit, just in case. I keep 24 at the ready in a cloth shopping bag.
The first thing I would suggest is to go into this kind of drum circles with an open mind. I try to avoid any pre-formed assumptions about what elderly people with various conditions can and can't do. Their individual conditions can affect them in lots of different ways. And some of them might come as a surprise. If something spontaneous happens, go with it. Someone may suggest an idea or a song, or even get up and boogie. Cool. Do it.
It gives some of them a chance to bring some creativity and excitement to an otherwise routine day, and maybe make a few new friends in the process. Some of them want to stand and play instead of drumming sitting down. I let them go for it as long as they want. Some of them put on a belly dance wrap, get in the center, and boogie. It adds a lot of fun to the whole experience because we all know it’s organic, spontaneous, and happening in the moment.
With seniors there is a wide range in degrees of mobility. That’s why I need to think about adjusting and adapting the equipment, but for some it isn’t even needed. I just try to have a wide range of instruments available for them. One thing I have learned is that there is nothing worse (the same as with any person with any disability) than being offered only the easiest drums, and percussion to play. I like to ask everyone to choose a drum. After a bit, trade with someone else.
One good idea if you have someone wanting to play a big Djembe but they are unable to hold it off the floor is to stand it in an upturned stool or chair. Use a bungee cord or two if necessary to keep it firmly in place. Then the sound will fully get out.
I think it’s very important to drum with the group, and not just be waving out instructions and telling them here’s what to play. That’s no fun, these aren’t children. When I’m playing my drum, some people like to watch and follow my hands. (Even though I am a lefty, and I mention that.) I put those ruffled elastic colored bands on my wrists I mentioned earlier, so people can easily see my hand movements if they want to, or need to. I always mention, play what ever you want, just follow the beat. Start a rhythm with a 4 measure vocalization,
ie: Yum, Yum, tastes like chicken, Yum, Yum, tastes like chicken...
Two bass notes followed by 4 tone notes, and repeat. They can either play the support rhythm, or improvise once it’s established. Often it transitions to another rhythm entirely. I just go with it, because that’s the group dynamic leading the rhythm.
I don’t make a whole lot of eye contact when playing. Just an occasional glance, or smile of reassurance. It’s important not to misread what might appear to be blank expressions. Often the facial muscles often don't work as well as they used to. Many times people like to just sit back and groove without playing for a little while, taking it all in. See with your ears.
It’s important to remember that, sometimes, not all who may appear to be wandering are actually lost. This is true at all drum circles.
Try to have good background knowledge of the music they grew up on. Think of a few of the “American Standards” of their era. Some will suggest one, so go with it. Don’t be afraid to ask if there are any songs they might like to sing or play. I’ve had a couple of big band rhythm jams that were outstanding. Think about playing things like swing, waltzes, Hand Jive, I Got Rhythm, whatever they want to suggest. If they don’t have anything off the top of their heads, I suggest a few and let them choose. Usually someone knows all the old standards like: “Show me the way to go home“, “How much is that doggie in the window?”, “My old man said follow the van”, etc. Really you only need to know is the first line of the song. Everyone can La de da along, and play along. Or try instrumental standards like the song "Sing, Sing, Sing". That one has a grooving big band drum beat to it.
Just having a warm and genuine welcoming and involvement with everyone sets the stage for a very successful musical time with elders.
Many times the attendee's have an assistant, and that helps me a lot! I can then focus more on the musicality of the bigger group. They can help you offer different percussion items that might be better suited for individual people. If someone from the staff is there, ask for some assistance from them. That’s a great relief sometimes, as these particular populations do require a little bit of extra care.
But some of them love the lure of being in the band, even feeling like a rock star. So let them have that opportunity if it feels right to you. It doesn’t really matter how good the drumming is.
They love the beach towels in the center of the circle bit. About half way through the circle, I lay 2 beach towels (or yoga mats) out in the center of the circle before the next rhythm. (The slower beats work best for this.) I ask two people if they want to REALLY feel the healing power of the drum, to carefully lay down on them for a few minutes. I ask them to lay flat on them, arms to their sides, and close their eyes while we play a rhythm. When I offer up the idea, there are always a few takers on that one. And when they get up, the others see the looks on their faces, and want to try it also. It is very powerful to feel the drum downbeat absorbed into your body. Here's an example:
At just about every drum circle I facilitate, I always do the “Let them feel the healing energy of the drum, in their bodies thing”. and here's how it goes:
This is the one where at the end of the drum circle, I ask them to all stand up still in a circle, and hold their palms open and outstretched, opposite to each person next to them, and palms opposite facing each other. Hold your palms outstretched directly above each other’s palms, about 12 inches apart. Now slowly compress your hands to the other person without actually touching them to about an inch. Slowly compress your hands up and down slowly a few times and feel that energy. The ohh’s and ah’s as they feel it compress – they are feeling their chi, or mojo in their bodies (some for the very 1st time). This is very powerful. Next, turn their hands into themselves, to let the healing power reach inward, into your bodies. Start from your head, and work it down slowly. This is incredibly powerful when you feel it for the first time. This whole process takes about 3 – 5 minutes. It leaves a long lasting impression.
That’s why I try to get everyone to drum, for at least a half an hour. To get this energy of the drum flowing inside them. All you have to do then, is demonstrate it to them at the end of the circle.
I got this next idea from a friend. What she does, with participants in the more advanced stages of dementia, she includes a “hello” and “goodbye” song into her program, which includes everyone by name. It’s a great idea. It helps to give them clues as to what's about to happen, and highlights the beginning, and ending of the session, like a good story does.
Here’s another great idea. See if they would like to make their own drums, they don’t have a whole lot to do that isn’t routine. If they are in a nursing home, the staff can help them to make their own drums out of those 2 1/2 to 5 gallon buckets, or water bottles. They get them all decorated up, and play them with padded beaters. You can get the buckets free at paint shops, restaurants, and so on. Let the residents make drums for themselves, the differing sizes and shapes provide the varying sounds. Some have even had exhibits of their drums in local art venues. Colorfully decorated drums can also be bright corner pick me ups in their facilities.
Sometimes a few of the residents are into things like knitting, and crochet, and they can make their own Djembe hats relatively easily, to sell online, etc. They have lots of spare time. I have bought a few of them myself, and they look great, as well as being nice and thick so they protect the drum heads very well. I still have one I cherish that an 85 year old lady made for me.
(If you are short on cash, and need some Djembe covers, believe it or not, those round toilet bowl covers work pretty good for 12” to 14” Djembes. They are thick like shag carpet, so they protect them very well. And they have an elastic band around them to stay in place. You can find them at most thrift stores laying around for just a buck or two. It’s probably a good idea to maybe wash them first.) lol. Yuck, why did I include that?
Anyway, a good basic plan is this:
Try to see the actual playing space if possible, and speak with the staff if you can about any concerns or limitations. Would they like to begin a certain way, etc. Often it’s not possible, but I do it if I can. Most of the time booking, questions, and etc. happen via email. After booking a date, I like to ask if I can come by and see the room beforehand even if it does take a few extra hours out of my day. I can better visualize my drum and percussion set up, and things go smoother for me when I arrive to facilitate the circle. I can also size up the distance I need to carry all the drums from my vehicle. I can just manage my time and energy better. I also like to find the area of the room with the least echo to it. (Just clap your hands in different areas of the room to find it.) Sometimes they have a spot already picked out, and that’s it.
Clean your entire drum circle kit as best you can, before and after. We should disinfect all of our instruments, particularly when working with seniors, children, or special need groups. I keep a travel pack anti-bacterial lotion with me. We want to connect, and keep safety in mind. Clean everything up as best you can. I do my kit clean up when I get home.
Instruments are very likely to get germs on them from playing. Remember that the disinfectant needs some time to evaporate. The synthetic drums are best here in these settings. They are easy to clean with some antibacterial wipes. Lightweight Doumbeks and Darbukas are perfect. Frame drums are ideal, sound shapes, ocean drums, etc. I use many synthetic instruments, like those egg shakers, maracas, guiros, etc. for the same reason. Plastics and laminates clean most easily, and are the most durable. I don’t use many goatskin drums for these groups. But I do bring a few of them for variety.
Sometimes when working with elders, many are scared of the potential noise. I learned from a staff member to get them in there early, and let them explore the drums a little on their own. (And the percussion items.) In many cases, when they're in charge of the noise, they're happy to make it loud. I sometimes have a dancing rhythm going when they enter the room, and do the egg shaker on each chair thing, or have a small percussion instrument on or near each chair.
We play a rhythm together and they can move around as they like. It gives them a sense of making music before the drumming starts. For the first time with a group, I don't expect much of a groove, but be ready for it, because it happens if you anchor it for them with a nice support rhythm, and once it’s solid - fade back and let them take it. It is so important to have stuff that can be played with one hand. I have this basket of fruit shaped shakers I use a lot with them. Expect to spend a little time finding the right instrument for each person, and let them choose something different later on. Make it fun, and interesting for them. Mixing in a little about the history and type of the drums between rhythms is fascinating for them, and helps me to be able to pace myself.
As I mentioned, some have physical limitations, so I bring buffalo drums, frame drums, drums they can lay on their laps and play. I try to avoid having too many things played with hard sticks or mallets, because sticks have a way of finding their way to goatskin heads. So there’s the chance someone might put one through a drum head or worse. I keep them stashed away and use them sparingly. I bring a few Djembe stands or taller drums to accommodate those who might need one. Even those who you may think can only noodle with their fingers, or bash away, will get the repetition of a drum rhythm, and catch on eventually if you are a good facilitator. It’s a good idea to have some soft beaters for those who can't use their hands very well.
Make sure that your kit is safe. No sharp edge drums like on some Darbukas etc. Think of your players as vulnerable children with the size and power of adults. Avoid taking anything fragile. The first drum circle with a group of active living elders can be very challenging. Expect some total chaos to happen. It gets a lot easier the second time. In my experience some of these people have problems judging how hard to strike a body drum and could hurt their hands by playing it too hard. Show them a few pointers on good hand technique after a warm up rhythm.
As I said, loud noise is my biggest concern. The healthy noise limit is about 85 decibels (Db.) I think that is the legal safety limit as well. That’s what the cop said when he broke up a public drum circle in a park. (This was a public gathering group.) He had his little decibel meter, and showed me the reading on it. We were up in the 120 Db. range. The neighbors called them on us. Actually, he was pretty cool about it. As a radio operator I’m familiar with decibels of gain, etc. but I researched this a little, and here’s what I found. A normal conversation is about 60 Db, up to the threshold of discomfort, that is the 120 Db range. Okay, so I’m still a bit of a geek.
A bunch of people drumming together indoors can easily reach into the 115 to 120 Db range. About 150 Db, is the Pain Threshold. You can get a decibel meter relatively inexpensively. I think Maplin makes one. Keeping the volume level down takes some skill, and experience to pull it off. But it is possible. And this is even more important when dealing with elders and special needs people. Most of the time, circles are 30 to 50 people, and volume is easy to manage.
A good idea is to create a volume down signal early on, or just start to play your drum quieter, more often than not, they will be there right with you. It works just great. And as an added bonus, the participants get to hear each other. But if you use it too much it can have a negative effect. It’s something to keep in mind, some of the beginners get way into it, and are often getting their issues out.
Here’s some advice from a friend of mine. When he does big circles with 100 people, the Db level can be huge. So he charges the client for enough cheap earplugs to go around. As far as I know, if you warn them, and offer protection, you've done your job. I keep a few dozen of them in my gig bag.
A few final thoughts. This new atmosphere of spontaneous drumming can be overwhelming to some people. The one thing I don’t want to do is have people feel threatened, scared, overwhelmed, or lost. Trying to do complicated rhythms too soon can do that. Keep it simple until the group dynamic is created. Three to four jams usually is enough to do so. Lots of positive comments from you during the drum circle helps a lot. “Hey, we sounded great on that one didn’t we?” Smile a lot, thumbs up! If they are in there, they are participating.
A few things I bring besides my earplugs in my gig bag, are some padded tape, first aid, hand creams, anti-bacterial wipes, etc. for anyone who just might ask. It’s also a good idea to familiarize yourself with anyone that might have some serious health issues. It’s the staff’s responsibility, but you should know what’s going on if you can. It’s nice if you can speak with the staff beforehand about any possible issues, but as I mentioned, that’s not always possible. So I need to be radar up, and ready for anything. It may be a casual setting with people transitioning in and out as rhythms are going on, so I like to sit or position myself so I can see who is entering or leaving.
Remember to try and speak with the staff afterwards for some feedback. And at the next time you are there. (hopefully) Or, leave them a feedback form to fill out, with a self addressed envelope and a stamp on it. I gathered a lot of useful information with a simple feedback form. The staff knows a lot more than I do about specific medical conditions.
If the group takes a break for tea or something, make sure they don’t come back to the drumming area before they are all finished. Goatskin and cowhide drum heads make terrible coasters.
Here is a sample drum circle program I might use:
Right away to the warm up drum jam, maybe 5 minutes.
5 minutes to introduce different cultural drums, drumming history, and why people do it.
5 minutes to demonstrate the various drums, let them check them out, and pick one. A few pointers on basic playing, and good posture/hand technique. The rest of the time is jamming on different rhythms from around the world. Some slow tempo, some up-tempo for variety. Ask if they would like a take five break after a half hour of playing. Be ready to improvise on the fly. You are likely to have some real musicians in there. I had a guy once that just got up and started playing a piano that was in the room, and we all accompanied him. It was fantastic.
So be aware of your surroundings. If they ask you to come back and do this again, mention maybe they could bring their family members next time.
It’s surprising the amount of engagement they have, and how much they truly appreciate and love drumming – especially with family members. Their expressions and smiles will be permanently etched on your face. Later at night when I get home and unload – have time to reflect - it affects me very deeply.
Ultimately, I just get rhythms started and let people play. It’s a multi cultural drum circle – not rocket science. We drum up some fun playing rhythms from around the world. Let your personality out, and with your calm and reassuring manner, watch the volume, and they will quickly enjoy playing together, and connecting with you. Anyway, drum circles are more fun than shuffleboard!
- Shannon Ratigan
There is increasing recognition of the health benefits of music therapy, particularly facilitated hand drumming, which is what I do for a living. Unfortunately, places where the people who benefit the most, such as senior centers and special needs can not afford to pay for this.
If you would be willing to make a small purchase of my book, rhythms DVD, or music of any amount, it will help me to provide this therapeutic music for free as often as I can, please visit my website drumcircles.net - or click on the link buttons below.
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